A rousing good read, strong on human interest and filled with appalling and amazing data.
A pull-no-punches attack on the hucksterism of alternative medicine and an exposé of the federal government’s failure to regulate the vitamin and supplement industry.
Offit (Chief of the Division of Infectious Diseases, Children’s Hospital of Philadelphia; Vaccinology and Pediatrics/Univ. of Pennsylvania School of Medicine; Deadly Choices: How the Anti-Vaccine Movement Threatens Us All, 2011; etc.) relates shocking stories of the harm done to people by promoters of false claims, and he doesn’t hesitate to name names. His brief account of the lobbying and politics behind the 1994 Dietary Supplement Health and Education Act, called by the New York Times “The Snake Oil Protection Act,” is particularly eye-opening. Offit casts an especially critical eye on celebrity promoters of alternative therapies. Among those who come under his scrutiny are former actress Suzanne Somers with her so-called anti-aging product line; TV’s charismatic Dr. Mehmet Oz and his “Superstars of Alternative Medicine”: Andrew Weil and Deepak Chopra; and osteopath Rashid Buttar, a prolific author and promoter of an unlicensed anti-autism cream. Offit also gives his take on various common products that practitioners of alternative medicine claim have therapeutic value—e.g., garlic, ginkgo biloba, saw palmetto, St. John’s wort and milk thistle. Of special interest is his chapter on what has been learned about the value of the placebo response and how it explains the positive effects of some alternative therapies. The harm, he writes, comes when their promoters recommend against helpful conventional therapies, when they promote potentially dangerous therapies without warning, when they give patients false hopes and then drain their bank accounts, and, finally, when they promote magical thinking or scientific illiteracy.
A rousing good read, strong on human interest and filled with appalling and amazing data.Pub Date: June 18, 2013
ISBN: 978-0-06-222296-1
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: April 15, 2013
Kirkus Reviews Issue: May 1, 2013
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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