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PLAYING THE PALACE

A light and frothy take on royal romance.

An American event planner deals with the public scrutiny that comes with dating an openly gay British prince.

Carter Ogden is almost 30 and his life isn’t what he thought it would be. He’s an “associate event architect” (a fancy name for “event planner”) in New York City, and he’s heartbroken over the vain actor who just dumped him. So he visits St. Patrick’s Cathedral (even though he’s Jewish) and sends up a sort-of prayer: He wants a big life. He wants purpose and love and the chance to make a difference in the world. His prayer is almost immediately answered in the form of Edgar, the Prince of Wales, who's doing a press conference (planned by Carter’s company, of course) at the United Nations for a charity devoted to providing clean drinking water to people who need it. But Prince Edgar isn’t just charitable—he’s also impossibly good-looking and openly gay. Carter both admires and hates him for being so perfect (or, as he puts it, “I seriously wanted to slap his photo or have sex with it”). As soon as Carter meets Prince Edgar, however, he realizes that he’s more than just a man who’s next in line to the throne—he’s also the guy of Carter’s dreams. They begin a whirlwind romance that’s full of public dates and even more public humiliations, such as Carter getting food poisoning on live TV. But their problems are larger than just an ill-timed bout of projectile vomiting. Carter isn’t sure if their relationship can withstand tabloid headlines, constant public opinions, and the fact that the queen doesn’t much care for their union. As the scrutiny intensifies and the obstacles mount, Carter wonders if he and Edgar are doomed—or if their royal romance is his happily-ever-after. Carter is a wickedly sharp and snarky narrator, throwing in pop-culture references and self-deprecating asides that make it a delight to be inside his head. Edgar, however, isn’t as easy to like. Because his relationship with Carter develops so quickly, it’s hard to understand his motivations or get invested in the men's love story. However, Rudnick (who, in addition to being a novelist, is a playwright and screenwriter) rounds out their world with a gaggle of wacky side characters who make it easy to coast along on the surface.

A light and frothy take on royal romance.

Pub Date: May 25, 2021

ISBN: 978-0-593-09941-4

Page Count: 272

Publisher: Berkley

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE THINGS WE LEAVE UNFINISHED

A charming dual-timeline romance about learning from past mistakes.

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In Yarros’ latest romance novel, a young woman hires a handsome but infuriating writer to complete her late great-grandmother’s half-finished book.

After her marriage to a Hollywood producer ends in high-profile divorce, 28-year-old Georgia Stanton returns to her childhood home in Colorado. When she arrives at the house where she was raised by her great-grandma—the famous romance author Scarlett Stanton—she finds her mother, Ava, lying in wait. Georgia is in possession of the only unfinished manuscript that her deceased relative left behind, and her own mom wants her to sell the rights so they can get some cash. Georgia succumbs to the pressure and enters a deal in which another author will finish the book’s second half. The manuscript tells Scarlett’s life story, including how she found, and lost, her one true love. Georgia feels strongly that the finished novel must reflect the true events of Scarlett’s life, as difficult as they may have been. Unfortunately, the publishers hire Noah Harrison, a stubborn writer at the height of his career, who has his own fictional vision for the novel’s ending. As Noah and Georgia butt heads, each of them researches Scarlett’s history in England during World War II. As they learn more about Scarlett and Jameson Stanton, the fighter pilot she loved, Georgia and Noah must navigate their own increasingly complicated relationship. With two equally engrossing storylines, this book will draw in even seasoned romance readers. As the story jumps between past and present, the author also alternates present-day perspectives between Georgia and Noah, moving deftly between her characters’ distinct voices. The relationships are well developed, and the love that Scarlett felt for Jameson is especially palpable. Along with the sweetly romantic themes, the book explores several heftier topics, including personal ambition, grief, family discord, and self-esteem. The story has a few digressions that do little to advance the plot, but the main characters are sufficiently engrossing that readers will want to stick with them to the end.

A charming dual-timeline romance about learning from past mistakes.

Pub Date: Feb. 23, 2021

ISBN: 978-1-68281-566-3

Page Count: 400

Publisher: Entangled: Amara

Review Posted Online: Jan. 20, 2021

Kirkus Reviews Issue: March 1, 2021

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