Packed with fun in every sentence, this book is the cure for your bad mood.
A very 21st-century wedding brings together a thoroughly modern cast of characters…and a nice, old-school gay book editor.
Whatever modern trend has got you down—political correctness, health and wellness, device madness, you name it—Rudnick skewers it in his latest comedy of manners. At its center is a lovely man named Rob who has recently lost his longtime partner to ALS. His best remaining friend is a personal trainer/action movie actor named Sean, whose flight attendant ex-wife, Linda, is about to marry a kinder, gentler Zuckerberg/Musk master-of-the-universe-type named Trone Meston, whose devices have completely taken over “life as we fucking know it,” which also happens to be the title of a debut novel Rob has just gotten fired over, thanks to a young “sensitivity associate” named Isabelle McNally. There are a slew of hilarious characters and connections, remarkably easy to keep straight once you’re into it but not to be further detailed here. The whole gang, it turns out, is headed to Maine for Trone and Linda’s wedding, which will also be the product reveal of the most revolutionary device Trone has ever introduced. A few examples of the bacchanalia that are Rudnick’s sentences: “Isabelle sexually experimented with a Filipina who identified as a warrior goddess, a queer man who taught her about weaving wildflower penis wreaths, and a three-person collective dedicated to having sex with food to vanquish the patriarchal miasma long associated with eclairs and body shaming.” Elsewhere: “As Linda told a friend, ‘It was like sex with the friendliest robot, that only wanted to make me come and then fill out a response card. It was great because it wasn’t really like sex, it was like—eating one of those astronaut meals from a sealed foil pouch and realizing it really did taste just like filet mignon.’” The sentences that aren’t about sex are just as good. With regard to the names Bridger and Morrow, the boy-and-girl twins of Sean and Linda: Their names “sounded like a wine cooler, a law firm on a soap opera, or animated bunnies in a Disney film.” It’s the little things and the big things. Rudnick kills.
Packed with fun in every sentence, this book is the cure for your bad mood.Pub Date: March 25, 2025
ISBN: 9781668068298
Page Count: 336
Publisher: Atria
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Suspenseful, full of incident, and not obviously necessary.
Atwood goes back to Gilead.
The Handmaid’s Tale (1985), consistently regarded as a masterpiece of 20th-century literature, has gained new attention in recent years with the success of the Hulu series as well as fresh appreciation from readers who feel like this story has new relevance in America’s current political climate. Atwood herself has spoken about how news headlines have made her dystopian fiction seem eerily plausible, and it’s not difficult to imagine her wanting to revisit Gilead as the TV show has sped past where her narrative ended. Like the novel that preceded it, this sequel is presented as found documents—first-person accounts of life inside a misogynistic theocracy from three informants. There is Agnes Jemima, a girl who rejects the marriage her family arranges for her but still has faith in God and Gilead. There’s Daisy, who learns on her 16th birthday that her whole life has been a lie. And there's Aunt Lydia, the woman responsible for turning women into Handmaids. This approach gives readers insight into different aspects of life inside and outside Gilead, but it also leads to a book that sometimes feels overstuffed. The Handmaid’s Tale combined exquisite lyricism with a powerful sense of urgency, as if a thoughtful, perceptive woman was racing against time to give witness to her experience. That narrator hinted at more than she said; Atwood seemed to trust readers to fill in the gaps. This dynamic created an atmosphere of intimacy. However curious we might be about Gilead and the resistance operating outside that country, what we learn here is that what Atwood left unsaid in the first novel generated more horror and outrage than explicit detail can. And the more we get to know Agnes, Daisy, and Aunt Lydia, the less convincing they become. It’s hard, of course, to compete with a beloved classic, so maybe the best way to read this new book is to forget about The Handmaid’s Tale and enjoy it as an artful feminist thriller.
Suspenseful, full of incident, and not obviously necessary.Pub Date: Sept. 10, 2019
ISBN: 978-0-385-54378-1
Page Count: 432
Publisher: Nan A. Talese
Review Posted Online: Sept. 3, 2019
Kirkus Reviews Issue: Sept. 15, 2019
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
