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THE RESURRECTIONIST

A thrilling historical drama, thoughtful and emotionally poignant.

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A man is offered a fortune to illegally excavate a body for scientific research in the second novel by screenwriter Scheuring (The Far Shore, 2017), who co-wrote the 2003 film A Man Apart.

In 1820, professional anatomists in England had a vexing problem: They had an intense desire to understand the human body but a chronic undersupply of cadavers to autopsy. This created an unusual partnership between respectable physicians and unseemly grave robbers, euphemistically referred to as resurrectionists. Scheuring deftly captures its peculiar nature in an author’s note: “A more antithetical set of bedfellows I cannot imagine, especially in England, with its rigid class structures: the university-educated doctor of high station conspiring with the brutish, illiterate criminal of such compromised moral standing that he would breach hallowed convention, steal from the Lord’s own soil, and traffic in the sludge and decay of rotting corpses.” Job Mowatt is one such resurrectionist, desperately trying to build a better life for his daughter, Ivy, both beautiful and brilliant, her future sure to be stymied by the “trappings of station” if he can’t raise enough money for her education. Then, an opportunity arises: Job is offered an “astronomical” sum of money to unearth the body of Ella Beddoe, the wife of Marcus Beddoe, a powerful and dangerous man. The offer is made by Dr. Percival Quinn, “one of the most learned anatomists in all of London,” and not just out of thirst for scientific knowledge. His wife, Neva, is pregnant but, due to prior illness, is unlikely to survive the delivery, and he hopes studying Ella’s body—she was pregnant at the time of her death—will provide the clues that saves his wife.

Scheuring does a masterful job of juxtaposing two typically incongruent worlds, glittering high society and the soiled underbelly of the poor. Ivy exists on the border of those worlds—destitute by a socio-economic accident of birth but also blessed with the looks and brains to rise above her lot. And despite the great social distance between Job and Percival, both men exist primarily to protect the loved ones who face grave danger, a comparison drawn by the author with impressive subtlety and power. Moreover, Scheuring provocatively raises questions not only about the gruesome work of resurrectionism, but of the lust for science that demands it and how scientific procedures are themselves implicated in a dark dehumanization. Consider this chilling depiction of the anatomy of a human body: “Another hallmark moment: the first violation. When a student must take blade to a body and cut away what heretofore had been critical to life and dispose of it as if it were nothing more than table scraps. When the body goes from the virgin, inviolable province of the human soul to a work-thing of science, an assembly of disparate, inanimate, investigative possibilities.” This is a bracing, remarkable work. Both historically astute and grippingly dramatic, it implicitly raises questions about the human cost of saving human lives and of the potential degradation wrought by a science meant to elevate humanity to a higher plane of civilization.

A thrilling historical drama, thoughtful and emotionally poignant.

Pub Date: April 12, 2022

ISBN: 978-0-9984502-2-3

Page Count: 328

Publisher: One Light Road

Review Posted Online: April 4, 2022

Kirkus Reviews Issue: June 1, 2022

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WEDDING PEOPLE

Uneven but fitfully amusing.

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Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.

Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.

Uneven but fitfully amusing.

Pub Date: July 30, 2024

ISBN: 9781250899576

Page Count: 384

Publisher: Henry Holt

Review Posted Online: Sept. 13, 2024

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