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FRESH AIR FIEND

TRAVEL WRITINGS

for the first time. (Author tour)

The prolific Theroux (Sir Vidia’s Shadow, 1998, etc.) gives full vent to his wanderlust in this virtuoso collection of travel

essays, all but one of which were written after his prior aggregation, Sunrise With Seamonsters (1984). Like Thoreau, who is something of a kindred spirit, Theroux combines a flinty individualism verging on crankiness, a curiosity about all manner of things, an almost pantheistic delight in nature, and a real grace of expression. Writing, he notes, is "like digging a deep hole and not quite knowing what you are going to find, like groping in a dark well-furnished room—surprises everywhere, and not just remarkable chairs but people murmuring in the weirdest postures." This description is just as apt, however, for explaining how he approaches the travel genre. As well as anyone writing in this deceptively narrow vein, Theroux understands how to filter the sights and sounds of such places as an African bush, the Yangtze River, or Christmas Island through the prism of his own personality. Essays are grouped thematically in sections dealing with his reminiscences, experiences as a kayaker and bicyclist, China, the Pacific, books of travel (by himself and others), profiles and appreciations of other writers, "fugues" about bizarre practices of other cultures, and other places in Europe, Asia, and the US. Theroux can assume all sorts of guises: reporter (sharp dissections of pre-Tiananmen Square China and pre-takeover Hong Kong), Boswell to other writers similarly compelled to write about the world (Bruce Chatwin, Graham Greene), critic (a review of William Least Heat-Moon’s PrairyErth), and lover of solitude (too numerous to mention). He can be scathingly funny on his Peace Corps experiences, discerning on the rigors of polar exploration, clinical on illnesses he’s contracted on five different continents, and lyrical on exotic lands threatened by commercialization. A feast for both Theroux aficionados and those lucky enough to experience his distinctive world-view and evocative prose

for the first time. (Author tour)

Pub Date: May 8, 2000

ISBN: 0-618-03406-4

Page Count: 480

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 1, 2000

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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