An ``imaginary memoir'' in which its author and other real people become the protagonists of fictional stories, from the prolific novelist and travel writer (Millroy the Magician, 1994; The Pillars of Hercules, 1995, etc.). It's an episodic recounting of particulars we know to be similar to the facts of Theroux's life: Peace Corps service in Africa, teaching in Singapore, longtime residence in London, and continuing critical and popular literary success. The contents are decidedly mixed. For example, a reminiscence of ``Paulie's'' eccentric Uncle Hal introduces us to a fly-by-night character too much like a male Auntie Mame to be either real or convincingly fictional; one chapter would seem to be an outtake from the author's British Isles travel book The Kingdom by the Sea (1983); and a farcical recurrence of coitus interruptus scenes appears designed to correct impressions created by Theroux's My Secret History (1989), a novel generally taken to be a confessional erotic autobiography. But there are several splendid chapters, including a keenly self-mocking account of ``Paul Theroux's'' tenure as an English teacher in a ``leper village'' in Malawi; descriptions of strained relations with a ``rapacious'' English socialite who collects and exploits young writers and with an older, enigmatic German writer; and amusingly delineated encounters with Anthony Burgess (``I never knew any writer who worked harder or was more generous''), and with Queen Elizabeth and Prince Philip at a memorable London dinner party. If Theroux reaches no satisfactory conclusion about this passion for travel and impulse toward the condition of exile, he nevertheless writes lucidly about the process of writing—its unaccountable stops and starts, the unpredictable forms inspiration takes—and writing's influence on personality. Not one of its author's best books, but frequent infusions of wit and inventiveness rescue it from becoming (what it might otherwise have been) the Cliff's Notes version of the life and career of Paul Theroux. (First serial to the New Yorker & Granta; Book-of-the-Month Club selection; author tour)
Pub Date: Sept. 23, 1996
ISBN: 0-395-82527-X
Page Count: 448
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1996
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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