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THE BEST AMERICAN TRAVEL WRITING 2014

Name: THE BEST AMERICAN TRAVEL WRITING 2014
Author: Paul Theroux
ISBN: 978-0544330153

edited by Paul Theroux ‧ RELEASE DATE: Oct. 7, 2014

A thrilling, surprising collection—one of the best in the series.

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A lavish and often revelatory assortment of travel writings.

Adventure off the beaten track is the guiding theme of this latest collection in the long-running series, and most of the contributors deliver it on a level that will gratify both armchair travelers and the most seasoned and fearless thrill-seekers. These writers provide dispatches from all corners of the globe—from South Sudan to Paris to Brazil to Calcutta to the Adirondacks—and in most cases, they deliver refreshingly original stories, alternately humorous, nostalgic, exhilarating and horrifying. On the whole, the quality of the writing is high, with only two or three descents into bombastic machismo. Elif Batuman pursues a mysterious local kidney disorder in Croatia; Stephanie Pearson explores the lesser-known areas of Colombia; Amanda Lindhout describes her "460 Days" as a prisoner of Somali insurgents; Michael Paterniti explores an extraordinary type of cheese in an adaptation from his outstanding memoir, The Telling Room (2013); and Matthew Power, who died tragically this year, plunges into the world of “urbex,” the exploration of secret places in some of the most-visited cities of the world. Not all the essays will be to everyone's taste, but in most cases, this is a matter of personal preference, not quality. One low point is Harrison Scott Key's strained comedy on traveling by Greyhound, in which he finds only the caricatures he went looking for. Some pieces provide contemplative breaks in the action, including Thomas Swick’s “A Moving Experience,” which considers how unexciting travel can be. In the foreword, series editor Jason Wilson provides another fine essay about rediscovering his first great wine experience, and second-time editor Theroux introduces the book with thoughts on his own career of risky explorations and the pleasures of reading about the most challenging "adventures and ordeals—the traveler's baptism of fire." Other contributors include A.A. Gill, David Sedaris and Colson Whitehead.

A thrilling, surprising collection—one of the best in the series.

Pub Date: Oct. 7, 2014

ISBN: 978-0544330153

Page Count: 336

Publisher: Mariner/Houghton Mifflin Harcourt

Review Posted Online: Sept. 13, 2014

Kirkus Reviews Issue: Oct. 1, 2014

Categories:

GENERAL NONFICTION

- BOOK REVIEW
BURMA SAHIB
by Paul Theroux

- BOOK REVIEW
THE BAD ANGEL BROTHERS
by Paul Theroux

- BOOK REVIEW
ON THE PLAIN OF SNAKES
by Paul Theroux

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.