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THE HAPPY ISLES OF OCEANIA

PADDLING THE PACIFIC

The peripatetic author of Riding the Iron Rooster, etc., etc., ventures with a collapsible kayak to the remote and scattered islands of the South Pacific. With a farewell to his marriage, and loneliness at his back, Theroux begins his extraordinary mission in New Zealand's Fiordland (``As long as there is wilderness there is hope''), moves on to Australia (a continent ``terrified by its own emptiness''), and then to Melanesia, Polynesia—Samoa, Tonga, Fiji, Tahiti, New Guinea's Trobriands, etc.—and, finally, Hawaii. He paddles the sea, he says, in the wake of myth-makers Melville, Stevenson, Gauguin, Maugham, and the Frenchman Captain Bougainville, who, in 1768, believed he'd found not only the Garden of Eden but Venus when a ``barebreasted Tahitian girl'' climbed into his ship from a canoe. To keen-eyed Theroux, the Polynesian islands are ``pleasant and feckless'' but far from paradise. Even Gauguin's Marquesas are ``dramatic at a distance'' but ``close up—muddy and jungly and priest-ridden.'' Traditional islands are ``riddled with magic, superstition, myths, dangers, rivalries and its old routines.'' Always interesting are Theroux's encounters with archaeologists who have disproved Thor Heyerdahl's popularizing theories about Polynesia. Sifting through human and animal bones, they study a still-mysterious people who carved some 800 stone statues on Easter Island and who boasted navigational skills that sent them migrating during what was Europe's Dark Ages. A sense of being beyond the reach of civilization comes when, in his intrepid kayak, off Easter Island and between the rock-battering surf and the Pacific, Theroux removes his headphones, ``hears the immense roar of waves and the screaming wind,'' and is terrified. A vast and contemplative book, seeing the ``Pacific as a universe, and the islands like stars in all that space.'' Informative not only for the voyager, but also for those wanting a new perspective on the Western continents of home. (Sorely lacking a map.)

Pub Date: June 8, 1992

ISBN: 0-399-13726-2

Page Count: 528

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 1992

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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