With his effortless writing style, observant eye, and take-no- prisoners approach, Theroux (The Happy Isles of Oceania, 1992, etc.) is in top form chronicling this 18-month circuit of the Mediterranean. Only 15 miles separate the Pillars of Hercules at the mouth of the Mediterranean, but as is his wont, Theroux took the long way. It's the old Grand Tour route, charted by many seeking wisdom and experience. And if it was now haunted and decayed, so much the better: ``Half a lifetime of traveling had given me a taste for the macabre.'' Theroux has a gift for the quick landscape sketch: hoofing it about the paths of Corsica, the lunarscapes of Italy's toe, the streets of a Tunisian town; but everywhere he finds people. His misanthropy is given a rest on this journey; yes, fools populate the pages, but so too do a host of dignified characters, from the ordinary joes he shares cabin space with to Naguib Mahfouz and Paul Bowles. They all make for a very immediate experience: ``These sudden strange encounters . . . were much more interesting than the Roman amphitheaters and the ruins.'' Theroux has never been one to let pass any abrupt or truculent or stupid behavior (``several aspects of this reeking vulgarity interested me''), and it is always a pleasure when he calls a miscreant on his thuggish conduct. This contributes a snappy edge to the proceedings (Do you torture political prisoners here in Turkey? How do you feel about the Fascists coming to power in your Italian village?) and it keeps the journey fast on its feet. Theroux bestows perhaps his greatest compliment of all to the journey itself: ``I knew I would go back, the way you went back to a museum, to look . . . and think.'' Never has he said that before. As satisfying as a glass of cool wine on a dusty Calabrian afternoon. (Author tour)
Pub Date: Oct. 17, 1995
ISBN: 0-399-14108-1
Page Count: 480
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1995
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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