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THE MAMMOTH

A fast-moving and entertaining supernatural graphic novel.

Four experts tackle a mystery in the forests of Kasbro County, and what they find is far weirder than they could ever have imagined in Tobin’s graphic novel.

The action commences with a bang, literally, when a decrepit house collapses. Dead at the scene is Olivia Boucq, a surveyor investigating strange geological activity. After Olivia’s funeral, the other members of her team—Mason Bryke, Kokoro Eto, and Jess Waynelle—are questioned by the sheriff, filling in readers on the backstory: Various disasters in the local Broke Tree Valley area have killed hundreds of people over the centuries, but none have been seriously investigated until now. The trio proceeds to get very drunk and share memories; Jess confesses that she and Olivia were in a relationship. Things take an unexpected twist with the return of Olivia—or a walking-dead version of Olivia, seemingly placid but on some kind of mission. Now, her friends must protect this strange new Olivia and figure out where it is she needs to go. They are visited by innumerable other members of the undead (none as aware or poised as Olivia), who guide them all toward a mysterious “mammoth” figure. There are plenty of unexpected scrapes along the way, and much palpable heartache and pathos as Jess tries to hold on to her connection with her girlfriend (“I miss you, Olivia. I miss you so much”). This graphic novel collects five single comic book issues into one taut and compelling story that combines elements of black comedy, horror-thrillers, and an X-Files paranormal vibe. Enticing images by Susini and robust, lively dialogue provide a solid base from which the intricacies of the story unfold. The visual presentation is contemporary and sleek in its layout—easy to read and optimized to propel the narrative forward. The artistic style varies slightly to reflect scenes depicting playful banter, freaky horror, or romantic flashbacks. The tone is irreverent and the content is quite adult, including a lot of drinking, swearing, and violence.

A fast-moving and entertaining supernatural graphic novel.

Pub Date: Jan. 14, 2025

ISBN: 9781545815908

Page Count: 128

Publisher: Mad Cave Studios

Review Posted Online: Nov. 27, 2024

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SUPERMAN SMASHES THE KLAN

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth.

Superman confronts racism and learns to accept himself with the help of new friends.

In this graphic-novel adaptation of the 1940s storyline entitled “The Clan of the Fiery Cross” from The Adventures of Superman radio show, readers are reintroduced to the hero who regularly saves the day but is unsure of himself and his origins. The story also focuses on Roberta Lee, a young Chinese girl. She and her family have just moved from Chinatown to Metropolis proper, and mixed feelings abound. Jimmy Olsen, Lois Lane’s colleague from the Daily Planet, takes a larger role here, befriending his new neighbors, the Lees. An altercation following racial slurs directed at Roberta’s brother after he joins the local baseball team escalates into an act of terrorism by the Klan of the Fiery Kross. What starts off as a run-of-the-mill superhero story then becomes a nuanced and personal exploration of the immigrant experience and blatant and internalized racism. Other main characters are White, but Black police inspector William Henderson fights his own battles against prejudice. Clean lines, less-saturated coloring, and character designs reminiscent of vintage comics help set the tone of this period piece while the varied panel cuts and action scenes give it a more modern sensibility. Cantonese dialogue is indicated through red speech bubbles; alien speech is in green.

A clever and timely conversation on reclaiming identity and acknowledging one’s full worth. (author’s note, bibliography) (Graphic fiction. 13-adult)

Pub Date: May 12, 2020

ISBN: 978-1-77950-421-0

Page Count: 240

Publisher: DC

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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WE CALLED THEM GIANTS

Lush visuals bring this thoughtfully constructed tale to life.

Wondrous visitors encounter a desperate pocket of humanity.

Lori, a white orphaned teen who’s finally been adopted after bouncing around various foster homes, awakens to discover that nearly everyone has disappeared. The rapture? Maybe. She runs into her classmate Annette, who has brown skin and curly black hair, and they partner up to scavenge for food. The pair tries to evade several threats, such as the large Wolves and a gang called The Dogs. Supernatural Giants arrive, seemingly from space, speaking an impenetrable language of “musical chiming and weird bass-rhythms.” Lori and Annette then meet Beatrice, an older white woman who shares important observations about the Giants and Wolves. The tone of the story then subtly shifts from post-apocalyptic desperation to one that’s somewhat playful. After a certain point, a visual element that appears early on takes on clear significance and meaning in the context of the story at large, offering a subversively humorous twist for readers to consider and a creative element that deviates from other alien invasion narratives. Hans’ artwork and paneling fill each scene with wonders. An interaction with a giant sees the red, violet, and pink figure standing against a bright, otherworldly white-and-blue backdrop with dark contours. Elsewhere, Lori and Annette pause at night as they behold ominous shadows, their foggy breath forming clouds, and they hear a “KRRNCH” sound. The quick-moving plot wraps everything up neatly.

Lush visuals bring this thoughtfully constructed tale to life. (character designs) (Graphic science fiction. 14-adult)

Pub Date: Nov. 12, 2024

ISBN: 9781534387072

Page Count: 104

Publisher: Image Comics

Review Posted Online: Aug. 17, 2024

Kirkus Reviews Issue: Sept. 15, 2024

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