Beautiful and chilling—a brilliant debut.
In Tomkins’ (Dynasty: Fifty Years of Shankly’s Liverpool, 2013, etc.) novel, a forensic artist’s romantic obsessions and traumatic past rise to the surface as he works on a cold case.
Patrick Clement has been tasked by authorities with reconstructing the face of a young, unknown victim named “Marina,” found murdered many years before on a pier in the English seaside resort of Brighton. With his marriage in shreds, Patrick moves into the cottage given to him by his aunt, the terminally ill Kitty. Surrounded again by memories of a tragic childhood (including a mother who committed suicide and a father who died an alcoholic), Patrick works to shed light on the identity of the mysterious woman, even as his thoughts revolve around some significant women who’ve disappeared from his own life: his mother, a young Frenchwoman he met as a teenager in London, and a troubled teenage girl that his Aunt Kitty once took in to live with them. In particular, Patrick’s thoughts drift toward a young woman called Black, with whom he spent a memorable evening at the pier and who’s haunted him since their first meeting. He tries to trace the whereabouts of Black and consults the retired policeman for whom he’s working on the reconstruction. As the reconstruction nears completion, Patrick comes nearer and nearer to the truth. Tomkins’ prose is evocative and devastating. He portrays the Brighton beach beautifully—the facile amusements and giddiness of the holiday destination as well as the darkness that lies beneath, as when Patrick recalls walking there with his father as a child after he’d been abandoned by his mother: “From a vendor beside a Punch and Judy show he bought me an ice cream, but not even its sweetness could distract from my distress…he bought me a red balloon, which, like a beaten finalist, I carried as a worthless consolation prize.” Tomkins’ painstaking descriptions of the minutiae of Patrick’s forensic artistry are remarkable for their lyricism and for the insight that they provide into Patrick’s need to impose order on chaos: “She is evolving, returning to life….She is far from finished, but to someone, somewhere, she might already be alive.”
Beautiful and chilling—a brilliant debut.Pub Date: Jan. 28, 2015
ISBN: 978-1-78462-104-9
Page Count: 240
Publisher: Matador
Review Posted Online: Sept. 3, 2015
Kirkus Reviews Issue: Oct. 1, 2015
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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