Veteran writer West (Tenement of Clay, 1992; A Stroke of Genius, 1995; etc.) returns, this time focusing on the knife-edge relationship of a Chinese daughter and her father with a Japanese whoremaster. Beginning with the Japanese capture of Nanking in 1937, West examines the delicateand inevitably compromisedrelationship that develops between conquerors and conquered as he tells the story of Scald Ibis; her father, Hong; and Hayashi, the invading colonel who controls their fate. When the Japanese soldiers trash her family's villa, the 16-year-old Scald Ibis is raped by Hayashi and his superior officer. As artist and intellectual, she finds it difficult to reconcile her past with the presentshe'd been taught by her father, an internationally famous scholar and calligrapher now off at war, that ``home life was a life of art.'' But for all her delicacy, Scald Ibis endureseven as Hayashi transforms the villa into a high-class bordello, the ``Tent Of Orange Mist,'' catering to the most depraved and jaded of sexual appetites. While Hayashi, enjoying his new responsibility, imagines receiving prestigious medals for his efforts, Scald Ibis's survival is paradoxically assured: Now that she's in a ``conduct zone devoid of codes...[where] even ethics had become merely decorative,'' she accepts Hayashi's plan to turn her into a geisha. As she adjusts to her new situation, however, Hong appears and uses his linguistic skills to become Hayashi's interpreter. For a few months, the trio exist in a carefully calibrated association, but when Hong finds out what services Scald Ibis must perform, he kills Hayashi, and is, of course, killed in turn. Only Scald Ibis survives, living to sue the Japanese government 55 years later. A terrible tale, vividly told, marred only by West's intrusive intellectual riffs and asides that have the effect of trivializing the unadorned truth.
Pub Date: Sept. 1, 1995
ISBN: 0-684-80031-4
Page Count: 288
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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