A complicated and intimate story of JFK’s secret life, best suited for American history buffs.
A fictionalized diary of Mary Pinchot Meyer, the woman rumored to have stolen the heart of John F. Kennedy during his presidency.
Born into a wealthy Pennsylvania family, Mary Pinchot first met JFK when she was a teenager in boarding school. Years later, after marrying CIA agent Cord Meyer, Mary settled in Georgetown, where she and her husband regularly attended parties alongside several political heavyweights. It was in Georgetown that Mary reconnected with then-senator Kennedy. Following her divorce from Cord a few years later, Mary is thought to have developed an intimate emotional and physical relationship with JFK, and the book imagines this relationship as it may have evolved after Kennedy became president of the United States. Wolfe (Postcards From Atlantic City, 2015, etc.) uses Mary’s fictional journal to portray this elusive woman as a politically informed, bohemian artist whose forward-thinking attitudes may have played a role in Kennedy's political decisions, especially during the Cuban missile crisis. The author’s Mary Pinchot Meyer is convinced that Kennedy loves her more deeply than he has any other woman, including his wife. The closer Mary becomes with the president, however, the more she fears for her own safety. The author deftly simulates a complicated woman’s diary, creating a document that feels entirely authentic—which includes assuming a certain level of knowledge on the reader’s part about the primary players in several federal agencies of the early 1960s. True to its nature as a diary, the prose is often choppy and desultory, which results in a narrative that is sometimes difficult to follow. Even so, the author includes interesting political and historical details in the entries, shedding light on a woman with a front seat to American history.
A complicated and intimate story of JFK’s secret life, best suited for American history buffs.Pub Date: Feb. 25, 2020
ISBN: 978-0-06-291066-0
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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