A promising beginning for a new writer, but to make the most of his talents, Woodward needs to work on developing an ear for...
Seeking reasons behind the extinction of humankind some 7,000 years before, a team of humanoid dogs uncovers an impending invasion of crystalline aliens and a traitor at the heart of their society.
Woodward’s debut novel is based on the entertaining premise that, after the extinction of humans at the hands of an alien race called crystallen, dogs developed superintelligence and opposable thumbs. This race, which calls itself Canidae, is divided into numerous tribes and recently united as the Unified Canidae Society. Azure is the 19-year-old son of the Chancellor of UCS, and as the story opens, he undergoes a rite of passage that will pinpoint his calling in life. To his surprise, he is revealed as a potential leader, despite his lack of interest in politics. To gain further insight into his path, Azure volunteers to join an expedition investigating the cause of human extinction. Their expedition uncovers journal entries and other documentation of Dr. Zennith, the last human, while they simultaneously encounter the resurgent crystallen. Woodward has developed a strong plot that, unlike many first installments of what is clearly intended as a series, resolves satisfyingly within the volume. The idea of dogs as the dominant species on Earth has great potential, both serious and humorous; however, that potential remains unfulfilled. The Canidae seem to be little more than furry humans with doggy faces (effectively portrayed in DiLeva’s chapter-head illustrations). Canidae families are called “packs,” but they evince little packlike behavior; Vence, who serves as a guide dog—a joke still waiting to be made—has a better sense of smell than the others, but there is otherwise little exploration of how the canine experience of the world differs from humans. And one can’t help thinking that the preservation of human structures and paper documents for 7,000 years would be slightly less unbelievable if that time were in dog years. Either way, the writing is often repetitive and clunky: “ ‘Let’s go to the ruins.’ Azure, Kael, Yasu and Vence all left the tent and began heading toward the ruins.”
A promising beginning for a new writer, but to make the most of his talents, Woodward needs to work on developing an ear for language and worldbuilding.Pub Date: Nov. 24, 2014
ISBN: 978-0692323045
Page Count: 258
Publisher: CreateSpace
Review Posted Online: Jan. 7, 2015
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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