Stories that echo with the loss, regret, and hope of migrants and nomads.
Widows, orphans, and refugees from Korea make their ways across alien landscapes in seven new stories.
Yoon’s work, whether in novels or short fiction, tends to create miniature mysteries, but his latest is all unanswered questions and old regrets. In the opener, “Bosun,” a life of crime leads to one of life’s crossroads for an ex-con working at a Canadian casino. Cold war politics provide the backdrop but not the drama in “Komarov,” which finds a North Korean maid who's lived in Europe for years traveling to Russia circa 1980 to reunite with the son she left behind, now a professional fighter. Yoon’s interest in history also extends further back in two stories. The first, “At the Post Station,” is set in 1608 and follows a feudal samurai on a diplomatic mission, while "The Hive and the Honey" is an epistolary ghost story in the form of a letter from a solider to his uncle written on the steppes of Eastern Russia in 1881. Most of the stories are little more than fleeting moments in the lives of the Korean diaspora, such as “Cromer,” in which the children of North Korean defectors find their domestic happiness in London interrupted by a strange boy. There’s a pervasive atmosphere of loneliness and forced solitude as reunions go awry and destinies lay unfulfilled, but there's also the steely stubbornness of people who have no choice but to keep going. These feelings are palpable in the final two stories, starting with “Person of Korea,” in which a 16-year-old boy is orphaned by the death of his uncle and sets off for a remote island where he hopes to be reunited with his father, a guard who works at the prison where the boy’s grandfather was once confined. Finally, “Valley of the Moon” chronicles the life of a man whose trespasses against others eventually translate into violence against his children.
Stories that echo with the loss, regret, and hope of migrants and nomads.Pub Date: Oct. 10, 2023
ISBN: 9781668020791
Page Count: 160
Publisher: Marysue Rucci Books
Review Posted Online: July 13, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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