ESCAPE FROM THE CZAR

A Lithuanian factory worker tries to protect his family from the violent forces of history in this novella set in the late 19th century.

Povilas Glamzo grows up on a farm in Lithuania, the son of a serf, Kazimerias, who seems destined to follow in his footsteps. But Povilas longs to live a freer, more accomplished life, and wants to avoid the drudgery of serfdom as well as the possibility of military conscription. His dream is to go out on his own and find employment at a Russian factory, a goal brought to fruition by his father’s master, Lord Nicholas Serovich, who pays his way to St. Petersburg. Povilas finds work quickly and is thrilled to join the ranks of the proletariat, but becomes disillusioned by its limited possibilities, finally seeing it as another form of serfdom. In earnest language, the protagonist laments his lot: “Men grumble for a reason. There is so much unrest and discontent here in Russia. I know why. I can see the reasons all around me. I’m coughing so much. I have to leave St. Petersburg. There must be something better out there. My dream of doing something important with my life hasn’t been fulfilled here. It’s been only a stepping-stone. But where do I go from here? God, please answer my prayer.” While he hopes to eventually become an engineer, he moves to Latvia to take a job as a metallurgist making cannonballs, a lucrative position. He also marries Sophie Zagel, the “village beauty,” and starts a family. Yet all of this is threatened when Russia and Japan go to war, and Povilas is recruited by the Imperial Russian Navy to make torpedoes for submarines. He dares not decline the offer for fear what it could mean for his family’s fate.

Velho’s tableau of the political tumult of the times is meticulously authentic—she captures with great verisimilitude the convulsions that roiled the lives of men like Povilas. In addition, this novella—not quite 100 pages—is based on the life of the author’s grandfather, and the loving attention she directs toward the subject is evident on every page. Finally, Povilas’ life is extraordinarily dramatic, the stuff of a grand cinematic saga—there is an abundance of eventful scenes packed into this short work of fiction. Unfortunately, Velho’s writing, which can be a bit awkward, makes full immersion in the story sometimes difficult. Her prose is often clumsy when she expresses Povilas’ own ruminations: “I have no particular loyalty to Russia, except that they control us. What would it mean for my family if Japan defeated Russia? This offer could change our lives—for better or worse. Submarines and torpedoes, OK. Leaving my wife and our children? That will break my heart. What if I don’t take the offer? What will the Russians do to us?”

A realistic, action-packed but uneven war tale.