by Paula González & José Carlos Andrés ; illustrated by Anna Font ; translated by Cecilia Ross ‧ RELEASE DATE: Nov. 5, 2024
A tender, subtle introduction to death.
A tribute to a long, well-lived life.
Young Paula identifies with swift animals, like horses and dolphins, but especially sky-skimming birds. Grown up, she cooks sumptuous stews for her family (two small beings are pictured) and her dog, Leon. Her zest for food leaves her covered in breadcrumbs and earns her the name Mommy Crumbs. Years flow by with the turn of a page: Leon has died and is fondly remembered; Mommy Crumbs is now a grandmother. These days, her cooking is limited to snacks, but she’s still covered in crumbs, so her grandkids bring her a gift: a chick that gobbles them up. The chick quickly grows enormous, and Mommy Crumbs, folded against its wing, is “very, very old.” Sitting atop the fowl, she smilingly bids goodbye to her family, happy that she is going to achieve her lifelong dream: to fly. Now the family misses her, but every crumb they see is a reminder of the enduring presence of their beloved matriarch. Andrés and his mother, González, have written a refreshingly uplifting, understated take on loss. Translated from Spanish, their words are illuminated by brilliant, offbeat color-block, collagelike images that play blue and orange tones off each other, with a fine disregard for small accuracies (Paula has cyan hair, and though she and many characters are light-skinned, other have bluish skin).
A tender, subtle introduction to death. (Picture book. 4-8)Pub Date: Nov. 5, 2024
ISBN: 9788419607386
Page Count: 36
Publisher: NubeOcho
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
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by Joanna Gaines ; illustrated by Julianna Swaney ‧ RELEASE DATE: Jan. 28, 2025
Handy advice for perpetually inquisitive children.
Interior decorator and TV personality Gaines invites readers to open their eyes and exercise their imaginations.
There’s a world to be explored out there—and only children can really take part. What does “looking for wonder” entail? Slowing down and looking up, around, and everywhere. At the outset, a group of eager, racially diverse young friends—including one who uses a wheelchair—are fully prepared for a grand adventure. They offer tips about how and where to look: Why, there’s a “grand parade” of marching ants! And, these kids add, perspective is key. A rainy day might signal gloom to some, but to those filled with wonder, showers bring “magic puddles for play”; a forest is “an enchanted world,” the ocean conceals “a spectacular city,” and the night sky boasts “extraordinary sights.” The takeaway: “Wonder is never in short supply.” It’s a robust, empowering message, as is the exhortation to “keep your mind open, and let curiosity guide the way.” Youngsters are also advised to share their discoveries. The upbeat narrative is delivered in clunky verse, but the colorful cartoonish illustrations brimming with activity and good cheer (including some adorable anthropomorphized animals in the backgrounds) make up for the textual lapses and should motivate readers to embark on their own “wonder explorations.”
Handy advice for perpetually inquisitive children. (Picture book. 4-7)Pub Date: Jan. 28, 2025
ISBN: 9781400247417
Page Count: 32
Publisher: Tommy Nelson
Review Posted Online: yesterday
Kirkus Reviews Issue: March 15, 2025
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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