by Paula McLain ‧ RELEASE DATE: March 18, 2003
Not a foster-care horror story exactly, but a thoughtful recalling of the emotional toll a life of uncertainty can take.
An unsentimental and thus telling memoir by the middle of three sisters who grew up in a series of foster homes in Fresno, California.
Their father was already in prison for a bumbled robbery attempt when their mother went to a movie with a boyfriend and didn’t come back. It was 1970: Paula was only four years old, Teresa was six, Penny three. Herein are Paula’s memories of their years in foster care, moving with her sisters from family to family until their 1974 placement with Bub and Hilde at Lindbergh Acres, a rundown ranch where they lived for almost 11 years. Earlier foster families ranged from the bizarre to the abusive. The Spinozas had a seven-year-old son who ran through the house clad only in a makeshift superhero cape. Mrs. Clapp was addicted to purple, and Mr. Clapp made sexual overtures to Paula and perhaps to her sisters as well; they never talked about it. The Fredricksons bought them bicycles and had family meetings and seemed to actually love them, but sent them away after only a few months. At their last placement, Hilde set rules that no one could fathom, occasionally beat them, and sometimes hid their clothes, but Bub was fun-loving and affectionate, and they were provided with food, clothing, toys, and their own horses. Several chapters are devoted to the sisters’ adolescence, no more or less tumultuous than most, although given an extra edge by Hilde’s increasingly unstable behavior and the ever-present threat of being moved to yet another foster home. Throughout it all, the sisters remained together, an extraordinary achievement in the annals of foster care. They were living together and attending college when their mother finally resurfaced in 1986 to establish a tentative relationship the author admits still baffles her today.
Not a foster-care horror story exactly, but a thoughtful recalling of the emotional toll a life of uncertainty can take.Pub Date: March 18, 2003
ISBN: 0-316-59742-2
Page Count: 256
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2002
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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