Criminal lawyer and novelist Sharp (Lost in Jersey City, 1993, etc.) stakes out a political agenda in this tale of child abuse and two women who crusade against it. In her long and affecting opening scene, Sharp's narrator, Melanie Ratleer, describes a grim Wisconsin childhood in which her father, a brilliant trial lawyer, beat his young wife, Melanie's stepmother, and psychologically abuses both Melanie and her younger brother, Matt. Matt develops schizophrenia and must be committed, and Melanie is sent to be raised by her mother's people in Illinois. Much later, she becomes a lawyer herself and attempts to bury her past in endless work. It proves inescapable, though, and she eventually returns to Illinois to begin anew her relationship with her brother. Enter Mildred Steck, a friend of Matt's. Mildred's a latter-day free spirit who becomes even more radicalized when her political activist husband, Daniel, returns from Brazil and begins, suddenly, to abuse their three-year-old son, Ben. She and Daniel separate, but when a court awards custody of the boy to Daniel, Mildred kidnaps Ben, and in the process of aiding and abetting, Ö la Thelma and Louise, Melanie finds liberation from her lifelong repression. Mildred even founds an underground railroad for abused women, barricading herself, Waco-style, to fend off the FBI. ``There's a whole nation of women out there,'' she says, ``who live in terror, trapped and dependent, with and without children, and the law won't free them.'' A whole nation? The argument that Sharp advances is that when women flee from abuse, the courts seldom allow them custody, in part because they have fled and in part because men have more power. While her novel is well-paced and dramatic, Sharp relies frequently on stereotypes and presents no worthy men to counter her two abusers. This time out, the author has apparently decided to preach to the converted, offering not healing love or cool logic but ideology. (Author tour)
Pub Date: Aug. 8, 1996
ISBN: 0-7868-6117-7
Page Count: 448
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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