by Paula Yoo ; illustrated by Shirley Ng-Benitez ‧ RELEASE DATE: Feb. 1, 2016
Welcome to the neighborhood, Lily! (Early reader. 6-8)
A debut early reader from Yoo and Ng-Benitez introduces a refreshingly diverse cast of characters in an urban setting.
Dark-skinned, curly-haired Lily is ambivalent, at best, about her family’s move to a new home in the city. In the first brief chapter she notes the absence of a yard in front of their brownstone. Her parents assure her that she’ll come to like living there anyway, but a thought balloon above Lily’s wistful face shows her remembering her Cape-style house in a suburban area. Throughout, Ng-Benitez’s warm, multimedia illustrations visually echo the controlled, accessible text in order to provide context clues for new readers. Ensuing chapters show Lily observing the comings and goings of various neighbors and then exploring her new neighborhood with her parents. Matter-of-fact references to the area’s diversity establish the setting as they read a sign in Spanish, visit a florist, eat pizza, see people working in a public garden, look at clothes and a mask “from Kenya…a country in Africa” in one store, and admire saris in another shop-front window. When they end up at the local library, Lily feels comforted by its familiarity, exclaiming, “It looks like our old library,” to her parents. Not only is she pleased to check out books for herself, she uses them to befriend a child she’d earlier seen reading on his front stoop.
Welcome to the neighborhood, Lily! (Early reader. 6-8)Pub Date: Feb. 1, 2016
ISBN: 978-1-62014-249-3
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: Dec. 7, 2015
Kirkus Reviews Issue: Dec. 15, 2015
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by Samantha Thornhill ; illustrated by Shirley Ng-Benitez
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by John Hare ; illustrated by John Hare ‧ RELEASE DATE: May 14, 2019
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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