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A DASH OF ROMANCE

A charming, character-driven work that will appeal to 21st-century romantics.

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A series-starting Regency romance about a vicar’s daughter faking an engagement, followed by a series of short stories.

Each book in Golden’s new series is an anthology containing a novel and a series of flash-fiction tales that originally appeared in the author’s monthly newsletter. All center on themes of love in the Regency or Georgian era, and the stories feature Trang’s occasional black-and-white illustrations, which often depict specific characters. The titular novel is a Regency romance with protagonist Abbie Walsley, the youngest of a vicar’s four daughters in the sleepy but charming town of Sidvale in England’s Devonshire County. She’s a writer, concocting adventures of her ideal knight in shining armor, “Sir Bartholomew,” while providing tips as the town’s advice columnist, “Mrs. Button,” in the local newspaper. As she’s financially stable, she has no urgent need to marry, and she resolves not to do so unless it’s for love. When Viscount Lord Dunley proposes to her, under orders from his mother, Abbie panics and lies, saying she’s already betrothed to Sir Bartholomew. In an unexpected turn of events, Dunley falsely believes that Percy Randall, the philandering second son of the Earl of Camforth, is Abbie’s betrothed. As Abbie and Percy attempt to preserve their reputations, they strike a mutually beneficial deal—but soon they must contend with their growing mutual attraction. Golden creates tangible chemistry between the apparent London rake and the outwardly drab vicar’s daughter. She also importantly acknowledges the era’s diversity with the inclusion of Leila Owen, a woman of East Indian origin who’s a member of the literary society that Abbie attends, and effectively shows how neither Abbie nor Percy match the stereotypical first impressions they have of each other. Overall, the novel’s greatest strength is its steady, careful character development. By comparison, the flash-fiction pieces, though entertaining, often feel rushed. However, the author shows great creativity with these vignettes, particularly “Midsummer,” about two lovers waiting to be reunited, and “Haunted,” a gothic-horror–inspired tale of a romantic encounter.

A charming, character-driven work that will appeal to 21st-century romantics.

Pub Date: July 18, 2020

ISBN: 978-1-73523-600-1

Page Count: 337

Publisher: Self

Review Posted Online: Jan. 25, 2022

Kirkus Reviews Issue: March 1, 2022

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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