By the Brazilian author of The Alchemist (1993) and the nonfictional The Valkyries: An Encounter with Angels (1995), a more mature work of fiction that may sell big. Coelho adds fiber to his usual dish of inspirational spun-sugar with this new Christian romance, set in Spain and the Pyrenees. The story follows practical law student Pilar, who at 28 has lost her faith and who suddenly finds herself pursued by a childhood friend she hasn't seen for ten years. One day in December, she receives a letter inviting her to a lecture on religion that that long-lost friend will give in Madrid. Pilar finds that he's now a believer in the miracle of the "Magic Moment," an instant in time when God gives us a chance "to change everything that makes us unhappy." He's also a fervent believer in the Virgin Mary, the "feminine face of God." Has her friend become a seminarian, as he's suggested in a letter to her? Pilar doesn't know, but he wines and dines her and asks her to accompany him on a trip. Soon the two are sharing confidences (but not their bodies), while visiting churches and shrines, including Lourdes. This is mostly a two-character novel, with a priest used for exposition and as a means of filling in the background of Pilar's beloved (who remains nameless, being referred to simply as "he" in the narrative) as a Charismatic healer. Yes, he has the gift of laying on of hands, granted him by the Virgin when he spoke to her in tongues at a meeting of Charismatics. Even Pilar finds she can speak in tongues. Mild erotic tension grows as The Braes of Madison County (will martyr Meryl run off with Clint?) meets The Garden of Allah (will disillusioned Dietrich wed deserter Trappist Boyer?) and Love demands that Pilar's beloved abandon healing for sexual/spiritual fulfillment. Sex and God whipped into a tasty mayonnaise.
Pub Date: June 1, 1996
ISBN: 0-06-251398-2
Page Count: 240
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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