By the Brazilian author of The Alchemist (1993) and the nonfictional The Valkyries: An Encounter with Angels (1995), a more mature work of fiction that may sell big. Coelho adds fiber to his usual dish of inspirational spun-sugar with this new Christian romance, set in Spain and the Pyrenees. The story follows practical law student Pilar, who at 28 has lost her faith and who suddenly finds herself pursued by a childhood friend she hasn't seen for ten years. One day in December, she receives a letter inviting her to a lecture on religion that that long-lost friend will give in Madrid. Pilar finds that he's now a believer in the miracle of the "Magic Moment," an instant in time when God gives us a chance "to change everything that makes us unhappy." He's also a fervent believer in the Virgin Mary, the "feminine face of God." Has her friend become a seminarian, as he's suggested in a letter to her? Pilar doesn't know, but he wines and dines her and asks her to accompany him on a trip. Soon the two are sharing confidences (but not their bodies), while visiting churches and shrines, including Lourdes. This is mostly a two-character novel, with a priest used for exposition and as a means of filling in the background of Pilar's beloved (who remains nameless, being referred to simply as "he" in the narrative) as a Charismatic healer. Yes, he has the gift of laying on of hands, granted him by the Virgin when he spoke to her in tongues at a meeting of Charismatics. Even Pilar finds she can speak in tongues. Mild erotic tension grows as The Braes of Madison County (will martyr Meryl run off with Clint?) meets The Garden of Allah (will disillusioned Dietrich wed deserter Trappist Boyer?) and Love demands that Pilar's beloved abandon healing for sexual/spiritual fulfillment. Sex and God whipped into a tasty mayonnaise.
Pub Date: June 1, 1996
ISBN: 0-06-251398-2
Page Count: 240
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1996
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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