A bit more playful than some of Coelho’s other efforts, and all the better for it.
Coelho’s latest parable (The Zahir, 2005, etc.) has vague Kafkaesque overtones as a town is challenged to murder an innocent in exchange for prosperity.
The small village of Viscos has a proud past, but at present is dying. All the young have moved to the city, leaving middle-aged shepherds and farmers and a tavern owner dependent on the occasional tourist in search of a mountain idyll. Its demise is only a matter of time as the world is in short supply of civic miracles. When a stranger comes to town, only old Berta sees what no one else can—that his invisible traveling companion is the Devil. The stranger invites Chantal Prym for a walk in the woods and there shows her two burial spots—one contains a single bar of gold, the other ten bars. It is a test for the town, and as the tavern’s barmaid, Chantal is the chosen mouthpiece. The village can have the gold if in three days they commit a murder. Seeking an answer to the question of evil, the stranger is betting that humanity is immoral, even in the quaint village of Viscos. An arms manufacturer, the stranger’s wife and daughters were killed by terrorists (using guns that he made), and ever since, he has had the Devil at his back and the eternal struggle between good and evil on his mind. Initially, Chantal refuses to speak, afraid of becoming complicit in the crime, but the stranger forces her hand, and soon the whole village knows of the proposed bargain. To Chantal’s horror, the town accepts his offer (thanks in large part to the priest, who, eager for the deal to go through, offers a sermon on how the sacrifice of one saved humanity). Now Viscos has only to decide the victim, unless Berta and Chantal, the top choices, can change their minds. Filled with Coelho’s trademark mysticism and philosophical anecdotes to illustrate a point, the brief tale is made finer by the Kafka- Shirley Jackson–derived motifs—the creepiness of a town eager for a murder offsets the author’s tendencies to spiritual pontificating.
A bit more playful than some of Coelho’s other efforts, and all the better for it.Pub Date: July 3, 2006
ISBN: 0-06-052799-4
Page Count: 224
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
There are unforgettable beauties in this very sexy story.
Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."
Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.
There are unforgettable beauties in this very sexy story.Pub Date: June 12, 2018
ISBN: 978-1-5011-6964-9
Page Count: 352
Publisher: Atria
Review Posted Online: March 19, 2018
Kirkus Reviews Issue: April 1, 2018
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
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