An impressive, eye-catching poetry collection unafraid to experiment and take risks.
Poitevin’s first English-language poetry collection explores such diverse matters as life in New England, academia, and OpenAI/GPT-4.
“October leaves / pile up like scattered drafts of some design” the author writes in “Raking” as fall sets in, “aching on this byway to December...” Even so, he still has more in life to conquer, finishing the job with “my feet still two good inches off the ground.” The moodiness of academic life intrudes, as Poitevin, a mathematics professor, is annoyed by a shared office, pesky students, and Red Sox chatter in “Nostalgia for Quieter Times”; he longs for the halcyon days of grad school at the University of Illinois: “I miss your silence as mine rages, / beloved Alma Mater.” The poet writes with playful curiosity about philosophy and its relationship to his discipline, responding to Borges in “Divertimentum Orinthologicum” (“I start to prove that He does not exist, / but N being hyperfinite, I desist”). Hyperlocal concerns meet the great beyond in “Take-Out,” in which a mistaken employee thinks she has seen the speaker’s late father order lemongrass tofu (“I pondered / that lemony but sweet juxtaposition: / myself and my dead father’s apparition”). In “Beneath the Bedroom Skylight” Poitevin writes of looking to the heavens with his partner: “We peek / beyond Andromeda and dream a wolf / gazes at us with quasar-eyes and loops…” The poet writes beautifully of his Marblehead, Massachusetts stomping grounds, and his verses about landscapes and family churn with the energy of an unrelentingly curious and feeling soul. By contrast, he ponders artificial intelligence in “GPT-4 Responds to a Detractor,” in which the AI program derides the “arctic soul” of its human critic. Technical poetic innovation animates this collection; one poem is made up entirely of three-letter airport codes, another is about a cat genome, and a group of palindromes provides a brief, passing fancy. The careful way that he pulls meaning from the place he is in, and the family he has there, is in evidence throughout and makes this a cohesive and inspiring collection.
An impressive, eye-catching poetry collection unafraid to experiment and take risks.Pub Date: Aug. 12, 2023
ISBN: N/A
Page Count: 84
Publisher: Penteract Press
Review Posted Online: July 28, 2023
Kirkus Reviews Issue: Sept. 15, 2023
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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