As in a previous outing (The Stranger Next Door, 2001), “co-written” with this collaborator—her own pet—Kehret delivers an exciting, suspenseful thriller that satisfies on several levels, thanks in no small part to the inherent literary talent of said feline and the juicy role in which he cast himself in the drama. Pete’s not only a distinguished author, but as a key player he’s a spy of rare talent whose actions and “words” are rendered in italics throughout the narrative to distinguish his activities from those of his human coauthor and fictional foils. A rash of robberies has been perpetrated in a small town in which Pete the Character lives with his family. Benjie Kendrill, younger brother of Pete’s owner, Alex, imagines himself a master spy and sets out to hunt down clues to the crimes. Exciting events ensue, including the inevitable robbery of the Kendrills’ own home and the kidnapping of Benjie after he unwittingly gives himself and his store of knowledge away to the thieves. He’s one smart, brave, and resourceful kid, though; along the way he picks up enough clues to nail these burglars to the wall. Pete is the cat’s meow as he goes above and beyond to save Benjie and to lead the less-clever humans (who don’t understand his “English”) to the solution of the crimes and Benjie’s successful rescue. Readers will keep turning the pages, though Benjie’s harrowing experiences as a captive might frighten very sensitive youngsters. Kehret manages to include in her satisfying story humor, commentary about kindness to animals, and the importance of family and friends. (Fiction. 10-12)
Pub Date: Feb. 1, 2003
ISBN: 0-525-47046-8
Page Count: 192
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
Themes of freedom and responsibility twine between the lines of this short but heavy novel from the author of Because of Winn-Dixie (2000). Three months after his mother's death, Rob and his father are living in a small-town Florida motel, each nursing sharp, private pain. On the same day Rob has two astonishing encounters: first, he stumbles upon a caged tiger in the woods behind the motel; then he meets Sistine, a new classmate responding to her parents' breakup with ready fists and a big chip on her shoulder. About to burst with his secret, Rob confides in Sistine, who instantly declares that the tiger must be freed. As Rob quickly develops a yen for Sistine's company that gives her plenty of emotional leverage, and the keys to the cage almost literally drop into his hands, credible plotting plainly takes a back seat to character delineation here. And both struggle for visibility beneath a wagonload of symbol and metaphor: the real tiger (and the inevitable recitation of Blake's poem); the cage; Rob's dream of Sistine riding away on the beast's back; a mysterious skin condition on Rob's legs that develops after his mother's death; a series of wooden figurines that he whittles; a larger-than-life African-American housekeeper at the motel who dispenses wisdom with nearly every utterance; and the climax itself, which is signaled from the start. It's all so freighted with layers of significance that, like Lois Lowry's Gathering Blue (2000), Anne Mazer's Oxboy (1995), or, further back, Julia Cunningham's Dorp Dead (1965), it becomes more an exercise in analysis than a living, breathing story. Still, the tiger, "burning bright" with magnificent, feral presence, does make an arresting central image. (Fiction. 10-12)
Pub Date: March 1, 2001
ISBN: 0-7636-0911-0
Page Count: 128
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2001
BOOK TO SCREEN
The magic of reading is given a refreshingly real twist.
This is the way Pearl’s world ends: not with a bang but with a scream.
Pearl Moran was born in the Lancaster Avenue branch library and considers it more her home than the apartment she shares with her mother, the circulation librarian. When the head of the library’s beloved statue of poet Edna St. Vincent Millay is found to be missing, Pearl’s scream brings the entire neighborhood running. Thus ensues an enchanting plunge into the underbelly of a failing library and a city brimful of secrets. With the help of friends old, uncertainly developing, and new, Pearl must spin story after compelling story in hopes of saving what she loves most. Indeed, that love—of libraries, of books, and most of all of stories—suffuses the entire narrative. Literary references are peppered throughout (clarified with somewhat superfluous footnotes) in addition to a variety of tangential sidebars (the identity of whose writer becomes delightfully clear later on). Pearl is an odd but genuine narrator, possessed of a complex and emotional inner voice warring with a stridently stubborn outer one. An array of endearing supporting characters, coupled with a plot both grounded in stressful reality and uplifted by urban fantasy, lend the story its charm. Both the neighborhood and the library staff are robustly diverse. Pearl herself is biracial; her “long-gone father” was black and her mother is white. Bagley’s spot illustrations both reinforce this and add gentle humor.
The magic of reading is given a refreshingly real twist. (reading list) (Fantasy. 10-12)Pub Date: Jan. 7, 2020
ISBN: 978-1-4521-6952-1
Page Count: 392
Publisher: Chronicle Books
Review Posted Online: Aug. 25, 2019
Kirkus Reviews Issue: Sept. 15, 2019
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