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THE AFTERLIFE

ESSAYS AND CRITICISM

This selection of essays, forewords, and book reviews introduces modern readers to some of them: the bookseller, poet, and...

Though Fitzgerald, who died in 2000, was surely a writer for her time, the English novelist and essayist (The Means of Escape, 2000, etc.) seemed most at home wandering through libraries devoted to late Victorian and Edwardian writers, many now forgotten.

This selection of essays, forewords, and book reviews introduces modern readers to some of them: the bookseller, poet, and editor Harold Monro, who asked in his will “for his ashes to be scattered at the root of a young oak tree, though only if the idea proved practicable”; George Moore, the Irish writer who, like Fitzgerald, “set himself to read everything”; the unhappy Bloomsburyite Dora Carrington, whose ashes none of that weird circle could remember scattering, if she had even been cremated in the first place; John Lehman, the editor who aspired to be a poet—though, as Fitzgerald remarks, “he produced eight collections in his lifetime, there was never any evidence that he was able to write good poetry.” Fitzgerald is a generally amiable critic, motivated by a passion for good books but aware of the effort it takes to write even an undistinguished one. Her sidelong journeys through the stalls and stacks, pointing out treasures and private passions, will delight those Virginia Woolf honored with the designation “the common reader,” who are, of course, none-too-common these days.

Pub Date: Nov. 15, 2003

ISBN: 1-58243-198-1

Page Count: 432

Publisher: Counterpoint

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 1, 2003

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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