The German poet Novalis (1772-1801) was really Friedrich Leopold von Hardenberg and Fitzgerald (The Gates of Angels, 1992; Offshore, 1987, etc.) here re-creates him, his family, his doomed young lover Sophie von Kühn, and Sophie's huge family—not to mention the era all of them lived in—in the most human-sized and yet intellectually capacious narrative a reader could wish for. Times were once better for the Hardenbergs, who've sold two estates, may have to sell another, and meanwhile live in a more manageable house in town. The pious and old (he's 56) father of the many-childrened family is Director of the Salt Mining Administration of Saxony, one of the few vocations (the military is another) not forbidden to members of the aristocracy, and the same calling the oldest Hardenberg son, Fritz, will follow upon conclusion of his studies at the universities of Jena, Leipzig, and Wittenberg. To say he's a salt inspector, though, is a little like saying Shakespeare was an actor. Not only have Fritz's studies brought him among faculty the likes of Fichte, Schiller, and Schlegel—but he himself is already a visionary poet helping bring the 18th century to its close (" 'The universe, after all, is within us. The way leads inwards, always inwards' ''). What transpires, then, in the inward universe, when Fritz first sees 12-year-old Sophie von Kühn standing at a window looking out? Says he: " 'Something happened to me.' '' This cheerful, careless, laughing child-woman becomes Fritz's star, his guide, "his Philosophy.'' Against all precedent (Sophie isn't of the real nobility), and in keeping with the changing times (there's been the revolution in France), he gets his father's permission to become engaged—but dreadful sorrow lies just ahead. A historical novel that's touching, funny, unflinchingly tragic, and at the same time uncompromising in its accuracy, learning and detail: a book that brings its subject entirely alive, almost nothing seeming beyond its grasp.
Pub Date: April 15, 1997
ISBN: 0-395-85997-2
Page Count: 227
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 1997
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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