Intelligent escapism: Although grounded by social history, this novel has its head in the fairy-tale clouds, where good...
Three generations of independent women in a single family are fortunate enough to meet the loves of their lives.
Applying her gift for seamless and addictive prose to matters of the heart, the Booker Prize–winning British writer’s 17th novel (Making It Up, 2005, etc.) is a well-crafted, soft-centered object lesson in the random yet unique business of meeting Mr. Right. Well-bred Lorna Bradley bumps into gifted wood-engraver Matt Faraday in London’s St. James’s Park in 1935 and marries him against her snobby parents’ wishes. A few brief years of idyllic happiness—including the birth of daughter Molly—ensue, in a picturesque but unmodernized cottage in Somerset before World War II intervenes, eventually claiming the life of Matt in Crete. Heartbroken, Lorna turns to printer and family friend Lucas, later marries him but dies giving birth to their son. Molly grows up self-reliant and refuses to marry her wealthy publisher lover, even after becoming pregnant by him. She doesn’t meet her own romantic destiny—poet Sam—until many years later, at a literary festival. Her daughter Ruth, a journalist, makes a conventional marriage to Peter but falls out of love with him as the years go by and eventually ends up with academic and writer Brian, back in the idyllic country cottage (now modernized) where her grandfather’s mural of the dance of life still graces the bedroom wall. Moving at a cracking pace, Lively never strays too far from her themes of love and literature, words and pictures, lighting up the narrative with flashes of historical detail.
Intelligent escapism: Although grounded by social history, this novel has its head in the fairy-tale clouds, where good things always await.Pub Date: June 4, 2007
ISBN: 978-0-670-03856-5
Page Count: 256
Publisher: Viking
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2007
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Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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