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LIFE IN THE GARDEN

A gentle elegy on the “charisma” of gardens.

A memoir about how gardening sharpens the eye and buoys the spirit.

In a graceful melding of memoir and reflections on literature and art, award-winning fiction and children’s book author Lively (The Purple Swamp Hen and Other Stories, 2017, etc.), a fellow of the Royal Society of Literature and Dame Commander of the Order of the British Empire, celebrates the delights of planning, planting, weeding, and harvesting a garden. For her, gardening is “both formative and essential,” honing “an extra way of looking about me, and an abiding and enriching engagement” with the world. The gardener, she writes, “is always noticing, appreciating, recording.” Besides recounting family gardens in Cairo and Somerset, her own gardens in Oxford and London, and her exuberant trips to garden centers, Lively considers the meaning of gardens to writers such as Virginia Woolf, Edith Wharton (she admires Wharton’s “delectable” and “lavish” French gardens), Willa Cather, and Laura Ingalls Wilder, who indelibly evoked the “practical, essential” importance of the pioneer garden. To Lively, Beatrix Potter’s Mr. McGregor is “the archetypal gardener in literary fiction.” Artists—Monet, Van Gogh, Klee, Klimt, Matisse, and Edvard Munch, among many others—were drawn to gardens as “a resource for the exploration of colour possibilities, of the evanescence of light and movement, the study of form and structure” as well as for “the expression of mood and emotion.” Lively returns often to the theme of time, which gardening makes strikingly visible. “We are always gardening for a future,” she observes; “we are supposing, assuming, a future.” At the age of 84, she is aware that some of her current plantings “will outlast me,” but they produce joy nevertheless. Gardening, she adds, “corrals time, pinning it to the seasons, to the gardening year, by summoning up the garden in the past, the garden to come.” The gardener “floats free of the present, and looks forward, acquires expectations, carries next spring in the mind’s eye.”

A gentle elegy on the “charisma” of gardens.

Pub Date: June 12, 2018

ISBN: 978-0-525-55837-8

Page Count: 208

Publisher: Viking

Review Posted Online: April 2, 2018

Kirkus Reviews Issue: April 15, 2018

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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