A highly inventive novel that pushes the boundaries of reality.
A disgraced cartographer unravels a 30-year-old family secret hidden within the folds of a 20th-century gas-station highway map.
Seven years after Nell Young and her ex-boyfriend Felix were publicly shamed and fired from the New York Public Library’s Map Division—by none other than her own father, Daniel—following what she thinks of as the Junk Box Incident, Nell has settled for “adding flourish” onto printed replicas of maps at a store in Crown Heights. After she discovered a box of rare 18th-century maps and one doodled-on 1930s highway map in the library's basement, her father declared them worthless fakes and inexplicably got so mad at her for disagreeing with him that he had her fired; they haven't spoken a word since. Practically cartography royalty (Nell's late mother was a visionary in the field, and her father is the senior curator for the NYPL’s main branch), Nell lost more than her reputation when she lost her internship at the library. Unlike Felix, who was immediately hired by the elusive William Haberson of the logistics and navigation company Haberson Global, Nell’s had to scrape the bottom of the barrel for cartography jobs. But when Daniel is found dead at his desk with that very same highway map in a secret drawer, Nell begins to wonder if the map hides more than meets the eye. When she decides to do her own research, she uncovers an implausible relation between the map and her parents and soon learns of a competitive, dangerous group known as “the Cartographers” who are willing to pay—or kill—for the only copy left in existence. Shepherd plots page-turning twists and revelations with ease and excels in her knowledge of historical maps and cartographical mysteries. The inclusion of map diagrams and detailed flashbacks carry the reader right alongside Nell as she attempts to disentangle an increasingly complex, slightly supernatural secret. In an author's note, Shepherd promises that “something magical happens” when a person follows a map that lies, and this book will make you believe it.
A highly inventive novel that pushes the boundaries of reality.Pub Date: March 15, 2022
ISBN: 978-0-06-291069-1
Page Count: 400
Publisher: Morrow/HarperCollins
Review Posted Online: Feb. 7, 2022
Kirkus Reviews Issue: March 1, 2022
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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