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BRUSH

A life-affirming, if fragmented, page-turner written in a refreshingly offbeat style.

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The lives of two strangers interconnect in unexpected ways in Anderson’s debut novel.

Chris is a Milwaukee-based tech whiz who, along with his friends, is in the process of developing an app that helps arborists find work. At the opening of the novel he’s pale, addicted to “things that made them feel alive or dead, depending on the need.” Jo is a divorced woman who owns a flower store in Mount Horeb, Wisconsin, cares deeply for her community, and is tentative about getting involved in a romantic relationship. Chris’ app is an instant success, making him a multimillionaire. However, his new wealth leads him to become more introverted, and he turns to painting as an outlet. After his mother presents him with a paintbrush that belonged to his deceased father, his creations perplex him, and he begins to find himself in situations that exactly match his imagined paintings. Meanwhile, Jo wrestles with her feelings for Grant, a friend and employee, but is shocked by his xenophobic response when she hires a woman named Paj. Restless, Jo takes an impromptu trip to Zurich, where she meets the enigmatic Micha, a garden designer. They have an unforgettable evening together and then part ways. The novel follows Chris’ and Jo’s seemingly independent lives over the course of a year. Readers will be kept guessing how, if ever, the two strangers’ lives will connect.

This is an intriguing work of subtle magical realism and unconventional romance. Anderson shows off a delightful descriptive style that’s beautifully simple yet effortlessly evocative: “Every year she noticed the same old man walk past daily and pause, noticing new buds pop wide as if from a magician’s hand.” The author creates psychologically believable characters that develop as the novel progresses. It’s particularly interesting to observe how Chris matures from the “video games, porn, and the occasional programming language” aficionado of his graduate years to a man fully immersed in the creative process. There are moments when Anderson shares wise advice through minor characters; after Chris’ mother suffers a stroke, for example, he’s advised by his mother’s nurse: “Try to give yourself as few of those regrets as you possibly can. You might think you can’t climb this mountain. But you can.” On other occasions, the author effectively wields humor; while describing a visit to a nudist club, he writes, “Jo didn’t know if naked was the right word, since the man was wearing a cowboy hat.” The novel has notably short chapters, moving back and forth between Chris and Jo. It’s a notably disjointed approach, but it often quickens the pace of an already compelling work. Anderson’s characters sometimes impulsively partake in unexpected activities, such as Jo’s overseas trip, but this adds a further element of surprise to a plot that has many diverting twists and turns. Overall, Anderson’s debut is an intelligent celebration of life, love, and creative endeavor and often proves a joy to read.

A life-affirming, if fragmented, page-turner written in a refreshingly offbeat style.

Pub Date: Sept. 8, 2023

ISBN: 9798988749301

Page Count: 610

Publisher: N/A

Review Posted Online: June 13, 2023

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  • New York Times Bestseller

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TWICE

Have tissues ready as you read this. A small package will do.

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  • New York Times Bestseller

A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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REMINDERS OF HIM

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

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After being released from prison, a young woman tries to reconnect with her 5-year-old daughter despite having killed the girl’s father.

Kenna didn’t even know she was pregnant until after she was sent to prison for murdering her boyfriend, Scotty. When her baby girl, Diem, was born, she was forced to give custody to Scotty’s parents. Now that she’s been released, Kenna is intent on getting to know her daughter, but Scotty’s parents won’t give her a chance to tell them what really happened the night their son died. Instead, they file a restraining order preventing Kenna from so much as introducing herself to Diem. Handsome, self-assured Ledger, who was Scotty’s best friend, is another key adult in Diem’s life. He’s helping her grandparents raise her, and he too blames Kenna for Scotty’s death. Even so, there’s something about her that haunts him. Kenna feels the pull, too, and seems to be seeking Ledger out despite his judgmental behavior. As Ledger gets to know Kenna and acknowledges his attraction to her, he begins to wonder if maybe he and Scotty’s parents have judged her unfairly. Even so, Ledger is afraid that if he surrenders to his feelings, Scotty’s parents will kick him out of Diem’s life. As Kenna and Ledger continue to mourn for Scotty, they also grieve the future they cannot have with each other. Told alternatively from Kenna’s and Ledger’s perspectives, the story explores the myriad ways in which snap judgments based on partial information can derail people’s lives. Built on a foundation of death and grief, this story has an undercurrent of sadness. As usual, however, the author has created compelling characters who are magnetic and sympathetic enough to pull readers in. In addition to grief, the novel also deftly explores complex issues such as guilt, self-doubt, redemption, and forgiveness.

With captivating dialogue, angst-y characters, and a couple of steamy sex scenes, Hoover has done it again.

Pub Date: Jan. 18, 2022

ISBN: 978-1-5420-2560-7

Page Count: 335

Publisher: Montlake Romance

Review Posted Online: Oct. 12, 2021

Kirkus Reviews Issue: Nov. 1, 2021

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