by Penn Anderson ‧ RELEASE DATE: Sept. 8, 2023
A life-affirming, if fragmented, page-turner written in a refreshingly offbeat style.
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The lives of two strangers interconnect in unexpected ways in Anderson’s debut novel.
Chris is a Milwaukee-based tech whiz who, along with his friends, is in the process of developing an app that helps arborists find work. At the opening of the novel he’s pale, addicted to “things that made them feel alive or dead, depending on the need.” Jo is a divorced woman who owns a flower store in Mount Horeb, Wisconsin, cares deeply for her community, and is tentative about getting involved in a romantic relationship. Chris’ app is an instant success, making him a multimillionaire. However, his new wealth leads him to become more introverted, and he turns to painting as an outlet. After his mother presents him with a paintbrush that belonged to his deceased father, his creations perplex him, and he begins to find himself in situations that exactly match his imagined paintings. Meanwhile, Jo wrestles with her feelings for Grant, a friend and employee, but is shocked by his xenophobic response when she hires a woman named Paj. Restless, Jo takes an impromptu trip to Zurich, where she meets the enigmatic Micha, a garden designer. They have an unforgettable evening together and then part ways. The novel follows Chris’ and Jo’s seemingly independent lives over the course of a year. Readers will be kept guessing how, if ever, the two strangers’ lives will connect.
This is an intriguing work of subtle magical realism and unconventional romance. Anderson shows off a delightful descriptive style that’s beautifully simple yet effortlessly evocative: “Every year she noticed the same old man walk past daily and pause, noticing new buds pop wide as if from a magician’s hand.” The author creates psychologically believable characters that develop as the novel progresses. It’s particularly interesting to observe how Chris matures from the “video games, porn, and the occasional programming language” aficionado of his graduate years to a man fully immersed in the creative process. There are moments when Anderson shares wise advice through minor characters; after Chris’ mother suffers a stroke, for example, he’s advised by his mother’s nurse: “Try to give yourself as few of those regrets as you possibly can. You might think you can’t climb this mountain. But you can.” On other occasions, the author effectively wields humor; while describing a visit to a nudist club, he writes, “Jo didn’t know if naked was the right word, since the man was wearing a cowboy hat.” The novel has notably short chapters, moving back and forth between Chris and Jo. It’s a notably disjointed approach, but it often quickens the pace of an already compelling work. Anderson’s characters sometimes impulsively partake in unexpected activities, such as Jo’s overseas trip, but this adds a further element of surprise to a plot that has many diverting twists and turns. Overall, Anderson’s debut is an intelligent celebration of life, love, and creative endeavor and often proves a joy to read.
A life-affirming, if fragmented, page-turner written in a refreshingly offbeat style.Pub Date: Sept. 8, 2023
ISBN: 9798988749301
Page Count: 610
Publisher: N/A
Review Posted Online: June 13, 2023
Review Program: Kirkus Indie
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by Kathryn Stockett ‧ RELEASE DATE: May 5, 2026
Fans of Stockett’s bestselling debut will love this engaging follow-up.
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New York Times Bestseller
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
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by Eli McCann ‧ RELEASE DATE: Sept. 8, 2026
Simply charming.
A lovable gaggle of competitive quilters attempts to defy the odds.
The ladies of the Ogden Quilters Association are gearing up for another Simpton Family Quilting Extravaganza, and this year’s nationwide competition is extra special: It’s taking place just an hour away in Smithfield, Utah. For Betty Lou Dearden, OQA’s leader and most faithful member, who never misses a Wednesday quilting night and delights in reading the bylaws, this is a dream come true—a chance to put Utah quilting on the map. But beneath her bubbly surface, Betty Lou is struggling—longtime member Leera Smeeth has been passive aggressively shooting down Betty Lou’s ideas and attacking her sense of self for years (see: a particularly biting comment about her beloved peach bathroom); her children rarely visit; and her husband’s health is declining. And to top it off, OQA is down a member since Terry Blackfoot left following the oft-referenced but never explained “needle incident.” OQA’s remaining members—flighty but lovable Lucy Jones; dependable Diane Williams and her roommate, Alice Flagstaff; and innovative Candace Braithwaite—need more support. Enter Byron Grant, a gay sewing store manager who deals in rumor and gossip as much as in thread and batting, and his best friend, shy, artistic Rob, both younger than the youngest OQA member by about 30 years. Don’t worry, there’s nothing in the bylaws expressly prohibiting men. And so this quirky group of artisans attempts to dethrone the always-winning, clearly evil Logan Quilters Society (“We don’t hate anyone!...We just don’t prefer to associate with cheaters”), all the while wrestling with interpersonal conflict, trauma, and, let’s face it, a few tacky ideas. The plot is silly and largely predictable, but McCann’s prose is bursting at the seams with humor and genuinely tender, touching moments. You’ll root for these misfits from Page 1.
Simply charming.Pub Date: Sept. 8, 2026
ISBN: 9798890920461
Page Count: 260
Publisher: Torrey House Press
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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