A promising story about the control of information that doesn’t totally deliver.
Three reporters risk their lives to uncover a conspiracy to control the news.
Jack Jackson knows he’s one of an increasingly endangered breed in the news industry. Every time he finds himself dashing to the scene of an abortion-clinic bombing or some other calamity, only to realize that he’s the lone reporter there, he’s reminded of what’s become of the corporate media. He feels increasingly like an ad copywriter or publicist, churning out feel-good fluff. The higher-ups insist that consumers want to be entertained, and that if they don’t give people what they want, they’ll go somewhere else for their “news.” Jackson expects that Marcus Media’s acquisition of his paper will bring more of the same, until he notices strange things happening among his colleagues, and his boss orders him to attend a seminar at the company’s Editorial Theology Center. While he’s at the Center, his wife and fellow journalist Chick Carr and Hal Chambers, a freelance reporter, worry about his safety and dig for information on the buyout. The corporate executives–who take direct orders from the Germans owners of Marcus Media and its parent company Roswell Enterprises–are well aware of the mysterious Herr Keisling’s plans to control society through the media, using subliminal messages and other mind-control techniques. Still, even they don’t know, or choose not to guess, who they’re really working for. Fletcher (An Editor’s Guide to Perfect Press Releases, 2004, etc.), a veteran journalist, takes readers on a wild and engrossing ride, buttressed by extensive knowledge of the media industry. Through her three intrepid protagonists’ journeys, the author makes her point about the importance of the news media in a free society, and the ease with which the public can be manipulated into ceding power to authority. Still, Fletcher undermines her concern about these issues by tying them to a premise that’s thoroughly improbable, despite its historical relevance.
A promising story about the control of information that doesn’t totally deliver.Pub Date: July 1, 2008
ISBN: 978-1-4196-8568-2
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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