An engaging and timely family tale.
A novel offers a domestic drama that focuses on social issues plaguing a community.
Reagan Ramsey is a widowed mother of two who has a lot on her plate. Her son, Matthew, is lonely as he adjusts to life without his father, and her daughter, Lizzie, has Down syndrome and autism. One evening, following a rare night out for drinks at an Irish pub named Molly Malone’s, Reagan is standing in a parking lot and witnesses a drive-by shooting (“A deafening pop, pop, pop sounded, and she turned toward the noise”). While Reagan gets swept up in a police investigation, she struggles with a heady combination of fear, anxiety, and grief. Meanwhile, Jake Dekker is equally stressed. He loves his wife, Janet, but his stepson, Alex, is proving to be a problem in their marriage. Alex, after getting injured in a car accident, goes on a joyride with his friends shortly after. His pal who is driving hits a jogger with his car. The hit-and-run incident and the subsequent fear of getting caught hang over Alex like a dark cloud. Jake, who met Reagan at Molly Malone’s the night of the shooting, eventually decides to take Matthew under his wing, shouldering some of her burden while developing a positive relationship with her son. Veraar’s novel aims to shed light on how specific societal ills (namely, drugs and violence) impact families. Throughout her tale, readers see how these problems bleed into families until many members of a community are connected through trauma. The author deftly shows how such issues are compounded by the stressors of everyday life. In addition, Veraar excels at character development. Reagan, for example, is already beleaguered when she witnesses the shooting. Then her fear and paranoia escalate when she is visited by a creepy former student and Lizzie disappears. Later, Reagan begins therapy and helps out with the shooting investigation. The story’s subject matter is similarly intriguing; it is topical and relatable, particularly regarding the drug epidemic outlined in the tale. But the prose sometimes feels rudimentary and the dialogue a bit trite—Reagan at one point exclaims “Booyah!” in celebration. Still, Veraar’s story is engrossing and accessible.
An engaging and timely family tale.Pub Date: Feb. 23, 2023
ISBN: 9798986734309
Page Count: 324
Publisher: GG Publishing
Review Posted Online: Dec. 16, 2022
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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