The result is a reading experience that carries the impact of an Ingmar Bergman film based on a novel by Thomas Mann. It’s...
The ordeals and sacrifices of two remarkable women are analyzed with penetrating intensity in the Swedish master’s latest.
Following the method employed throughout his oeuvre, and with particular success in his recent fictions The Royal Physician’s Visit (2001) and Lewi’s Journey (2005), Enquist connects his own history and sensibility to the stories of Nobel Prize–winning physicist Marie Curie and her ill-fated research assistant (and eventual soulmate), Blanche Wittman. Those stories are told in three “Books” composed by Blanche after her lethal exposure to radiation, both during Mme. Curie’s experiments and in earlier years when she was a patient treated for “hysteria” by eminent neurologist J.M. Charcot, and also his assistant, then his adulterous lover. Moving backward and forward in time, Enquist presents Blanche’s ruminations on her treatment at Saltpêtriére Hospital (a filthy, overcrowded “black castle in the middle of Paris”), where she became a de facto emblem of the “madness” of love; Polish-born Marie Curie’s self-destructive affair with a married scientist, which evoked outraged anti-Semitic protests and drove her from France; and the sad final years of both women, when Marie became a disgraced outsider in the land where she had earned unprecedented honors, and Blanche a (still sentient, forever impassioned) torso “living” in a wooden cart. In a masterly display of concision, Enquist packs an imposing enormity of historical and scientific information into a searching exploration of the phenomenon of love; a complex meditation on the riddles that challenge his characters’ ingenuity—how do we manage to love, given the fragility and impermanence of the body, and how can human emotion and experience be measured and quantified, much less comprehended?
The result is a reading experience that carries the impact of an Ingmar Bergman film based on a novel by Thomas Mann. It’s astonishing, and it’s unforgettable.Pub Date: March 23, 2006
ISBN: 1-58567-668-3
Page Count: 224
Publisher: Overlook
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.
After 1,000 years of peace, whispers that “the Nameless One will return” ignite the spark that sets the world order aflame.
No, the Nameless One is not a new nickname for Voldemort. Here, evil takes the shape of fire-breathing dragons—beasts that feed off chaos and imbalance—set on destroying humankind. The leader of these creatures, the Nameless One, has been trapped in the Abyss for ages after having been severely wounded by the sword Ascalon wielded by Galian Berethnet. These events brought about the current order: Virtudom, the kingdom set up by Berethnet, is a pious society that considers all dragons evil. In the East, dragons are worshiped as gods—but not the fire-breathing type. These dragons channel the power of water and are said to be born of stars. They forge a connection with humans by taking riders. In the South, an entirely different way of thinking exists. There, a society of female mages called the Priory worships the Mother. They don’t believe that the Berethnet line, continued by generations of queens, is the sacred key to keeping the Nameless One at bay. This means he could return—and soon. “Do you not see? It is a cycle.” The one thing uniting all corners of the world is fear. Representatives of each belief system—Queen Sabran the Ninth of Virtudom, hopeful dragon rider Tané of the East, and Ead Duryan, mage of the Priory from the South—are linked by the common goal of keeping the Nameless One trapped at any cost. This world of female warriors and leaders feels natural, and while there is a “chosen one” aspect to the tale, it’s far from the main point. Shannon’s depth of imagination and worldbuilding are impressive, as this 800-pager is filled not only with legend, but also with satisfying twists that turn legend on its head. Shannon isn’t new to this game of complex storytelling. Her Bone Season novels (The Song Rising, 2017, etc.) navigate a multilayered society of clairvoyants. Here, Shannon chooses a more traditional view of magic, where light fights against dark, earth against sky, and fire against water. Through these classic pairings, an entirely fresh and addicting tale is born. Shannon may favor detailed explication over keeping a steady pace, but the epic converging of plotlines at the end is enough to forgive.
A celebration of fantasy that melds modern ideology with classic tropes. More of these dragons, please.Pub Date: Feb. 26, 2019
ISBN: 978-1-63557-029-8
Page Count: 848
Publisher: Bloomsbury
Review Posted Online: Dec. 22, 2018
Kirkus Reviews Issue: Jan. 15, 2019
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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