by Per Petterson ; translated by Don Bartlett ‧ RELEASE DATE: Feb. 1, 2022
In this slim work, Pettersen writes with minimalist reticence—a remark here, a detail there—to create poignant lyricism.
This new translation of Norwegian author Petterson's first novel—about a 12-year-old Norwegian boy’s summer holiday with his working-class family—sets the stage for many of his later novels.
As Arvid Jansen arrives in Sweden by ferry, he shows genuine excitement at returning to the familiar yet slightly exotic homeland of his mother—the heroine of To Siberia (2008)—where his grandparents still live, but his pure joy won’t last. Arvid appeared as a younger, generally happy child in Pettersen’s debut short story collection, Ashes in My Mouth, Sand in My Shoes (2014). Here the tone is less coming-of-age than loss of innocence. Over the summer, Arvid’s awareness of adult issues and his own complex feelings grow and darken. With disgust he watches the attraction between his slightly older sister, Gry, and his friend Mogens blossom into teen romance. Arvid himself sees a couple making love at the beach and later has an unsettling, vaguely sexual interaction with the woman involved. Digging into the secrets surrounding his grandparents, Arvid becomes closer to his mother as he learns the facts behind the death of her beloved brother Jesper (also important in To Siberia), whom he resembles. On the other hand, he goes from allowing his father to hold his hand in public to ignoring his attempts at conversation to outright hostility. While the ending stirs a sense of dread about Arvid’s immediate future, readers of the subsequent, melancholic Arvid novels already translated into English know that he grows up to become a successful if tortured writer; those readers will be fascinated by how Pettersen has knowingly or unknowingly planted the seeds of the later works here, including the importance of boats, Arvid’s interest in American literature, and his horror of divorce.
In this slim work, Pettersen writes with minimalist reticence—a remark here, a detail there—to create poignant lyricism.Pub Date: Feb. 1, 2022
ISBN: 978-1-64445-076-5
Page Count: 144
Publisher: Graywolf
Review Posted Online: Nov. 16, 2021
Kirkus Reviews Issue: Dec. 1, 2021
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BOOK REVIEW
by Per Petterson ; translated by Ingvild Burkey
BOOK REVIEW
by Per Petterson ; translated by Don Bartlett
BOOK REVIEW
by Per Petterson ; translated by Don Bartlett
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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SEEN & HEARD
by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
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