Underplotted, and a bit redundant. Otherwise, a powerful and promising debut from a diligent writer who looks like the Far...
A wistful, moving first novel from the Montana storywriter (Dry Rain, 1997; Blood Knot, 1998, etc.) concentrates with sometimes riveting, sometimes labored intensity on the troubled loving relationship between a brother and sister growing up, and apart from their parents, in a West Texas backwater.
Fifteen-year-old Austin Scheer is a gifted baseball pitcher destined to become “the next Nolan Ryan,” according to his older sister Abilene, a college dropout who was herself the real “fireballer” (and, being female, a Little League reject) and is Austin’s self-appointed “coach” and taskmaster. Austin tells the story of Abilene’s on-again, off-again relationship with their family, though he stubbornly rejects accumulating evidence that her sudden departures and irrational seizures of violence and bizarre behavior (which culminate in an unneeded surgical procedure and a near-successful suicide attempt) demonstrate a by-now diagnosed bipolar disorder. Fromm balances this skewed perspective on Abilene’s travail against Austin’s immediate (if as quickly truncated) success as the bellwether of his high-school team (a “near no-hitter” in his first start), and the frustrated efforts of their long-suffering father Clayton (himself a onetime baseball phenom) and embittered mother Ruby to reconcile “how all this started”—the mantra with which Clayton’s interminable family stories inevitably begin—with the havoc the unpredictable Abilene continues wreaking. There’s a lot to like in this suspenseful if claustrophobic tale (excepting the vividly depicted four principals, other characters are sketchy shadows): a brooding, doom-laden atmosphere; a subtly handled undercurrent of sexual attraction and fear between brother and sister; and especially the extended dénouement, in which Abilene essentially blesses her adoring, grieving sibling by releasing him (“You’ve spent your whole life trying to be like me, Austin. And now I take pills to be somebody else”).
Underplotted, and a bit redundant. Otherwise, a powerful and promising debut from a diligent writer who looks like the Far West’s answer to Alabama’s Larry Brown.Pub Date: Oct. 1, 2000
ISBN: 0-312-20933-9
Page Count: 320
Publisher: Picador
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2000
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
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