Hamill the realist prevails (mostly) over the sentimentalist in this above-average entertainment.
Hamill (Forever, 2002, etc.) returns with a gritty Depression-era story about a grief-stricken doctor rejuvenated by an unwelcome challenge: raising his small grandson.
New Year’s Day, 1934: New York is buried under snow. Dr. Jim Delaney, middle-aged, Irish, is summoned to treat Eddie Corso, a mobster shot in a gang war. Delaney and Eddie were in the trenches in France in 1918; the doctor would never forsake him. He gives his friend a morphine shot and smuggles him into the hospital for surgery. When he returns to his home in downtown Manhattan, he finds a boy he’s never seen before; there’s a note from his teenage daughter Grace, pleading for him to take care of two-year-old Carlito; she’s off to Spain to look for her husband, a Mexican revolutionary. Delaney is furious with Grace, the only child he spoiled rotten, in an effort to make amends for his absence in France. His wife Molly never did forgive his volunteering to be a medic; 16 months before she had walked toward the river, never to return. Delaney has been on autopilot ever since as he attends scrupulously to his poverty-stricken patients and makes house calls. Carlito could be the last straw, but the doctor rallies with the help of Rose, an attractive Sicilian immigrant he hires to run his new household. Meanwhile, Eddie’s gangland rival is demanding to know Eddie’s whereabouts. Carlito must be protected, from the patients’ germs inside and prowling mobsters outside. Trying times, but the upside is that Delaney comes alive again, enchanted by Carlito and strongly attracted to the indispensable Rose. Hamill’s story continues strong up to the halfway point, when he runs out of plot. Delaney and Rose eventually become lovers, though Rose seems more at home in the kitchen than the bedroom. Better realized than the lovers is a vanished New York, with its appalling proneness to disease, its rough streets and hectic pleasures.
Hamill the realist prevails (mostly) over the sentimentalist in this above-average entertainment.Pub Date: June 11, 2007
ISBN: 978-0-316-34058-8
Page Count: 352
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2007
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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