by Peter Abrahams ‧ RELEASE DATE: July 1, 2002
The familiar laced with lingering irony.
An insidious tutor affects the lives of a dysfunctional family, in this sharply written psychological suspense.
With details as exact as fingerprints, author Abrahams (Last of the Dixie Heroes, 2001, etc.) will convince readers that they’ve never encountered a suburban family this recognizable. There’s father Scott Gardner, restless over a disappointing career, and wife Linda, fretting over their teenaged son Brandon, and with good reason. Scrappy and rebellious, Brandon flags his SAT’s, runs with the wrong kids, and flirts with drugs. In contrast, 11-year-old Ruby, keen and precocious, seems the only happy family member. Linda insists on hiring tutor Julian Sawyer to help Brandon get into an Ivy League school. Smooth, handsome, and almost clairvoyant, Julian snaps Brandon out of his stupor, shows Scott how to beat his rival brother at tennis, and helps Ruby sidestep a family scrape. But Ruby, with a copy of The Adventures of Sherlock Holmes in hand, is unsettled by details of the Gardners’ daily life that won’t connect. A jacket Brandon swears he left at school appears in the hallway at home, crack vials sewn into its lining. Then there’s an anonymous complaint, phoned in to the police, that brings more trouble for Brandon. Ruby’s suspicions correctly converge on Julian. The writer as Nietzschean monster, Julian secretly works (by candlelight) on a poetic novel about the Gardners, struggling to align fact with fancy. In real life, he manipulates them further by luring Scott into a stock venture that will sink the family finances. But never fear, the charming Ruby is afoot, determined to learn exactly what Julian is up to, and, in a predictable close, Julian responds with sadistic, destructive violence. Even so, his tutoring has clearly worked wonders with the Gardners. Scott recoups his financial loss, Linda confronts a demon from her past, Brandon’s grades head upward, and Ruby at last discovers the meaning of mentor Sherlock’s methods.
The familiar laced with lingering irony.Pub Date: July 1, 2002
ISBN: 0-345-43938-4
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2002
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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New York Times Bestseller
IndieBound Bestseller
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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