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THE PLATO PAPERS

The intellectual legacy of Platonic philosophy takes on entertaining new life in this sophisticated and very funny fable by the protean British author (The Life of Thomas More, 1998, etc.). Prefatory quotations from various fictional scholarly sources inform us that the human race has reached the year a.d. 3700, despite the quenching of the world’s “light” (due to nuclear catastrophe?) centuries ago, followed by a period of enlightenment (—The Age of Witspell”). The setting is London, where a —great orator” named Plato dispenses wisdom, eons after his namesake flourished in Athens (during “The Age of Orpheus”). In 55 brief chapters, Ackroyd juxtaposes brief conversations between Plato and his (feminine) soul and with his several admiring disciples (who discuss him, in separate chapters), with the great man’s “exequies” on evidence of earlier civilizations’ mistakes (an exhumed copy of Poe’s stories is believed to be “the unique record of a lost race” sunk in paranoia and depression; surviving fragmentary texts reveal the existence of a prophetic black singer named George Eliot and “a clown or buffoon who was billed as Sigmund Freud”), and excerpts from Plato’s “glossary” of antiquities (“rock music” is presumed to denote “the sound of old stones”). Fortunately, this slim book doesn’t settle for elegant gags. Plato’s fascination with the alien cultures of the past inspires him to undertake a “Journey to the Underworld,” during which he discovers the parallel existence (beneath Witspell) of ‘’ Mouldwarp” (our own civilization, supposedly ended when “the light” disappeared). The result is his trial, ostensibly for corrupting the young; in reality, for having introduced uncertainty into a world smugly convinced that it knows itself, and thus knows all. A strikingly imaginative and provocative cautionary tale that makes superb use of Ackroyd’s formidable erudition. One of his most satisfying books.

Pub Date: Jan. 18, 2000

ISBN: 0-385-49768-7

Page Count: 160

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 1999

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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