A modest collection by Filipino novelist Bacho (Cebu, 1991) that gathers momentum as it proceeds, adding up, in the end, to a good deal more than the sum of its parts. More of a discursive novel that an anthology of tales, the book narrates the experience of several generations of Filipinos who settle on the West Coast before WW II and raise children who eventually move deeper into the US—both psychically and geographically. Buddy, who tells the tale, is a schoolteacher whose easy authority over his students conceals a deep ambivalence about his own identity and ambitions. Buddy's father Vince was part of the great wave of Filipinos who emigrated back and forth during the 1920s and '30s according to the rhythms and needs of the fisheries and canneries of the Pacific Northwest. In the best second- generation style, Buddy gets an education and settles himself in the suburban middle-class that his father had always held out to him as his goal and station in life. But the introspective Buddy keeps looking over his shoulder and wondering what might have happened to him had he taken one different turn or another along the way. In ``Rico'' and ``Home,'' he describes the tragedy of a working-class friend from high school who, lacking Buddy's college exemption, is drafted, goes to Vietnam, and never recovers. ``Stephie'' recounts a meeting between Buddy and an old flame who dumped him years before for a white law student, while ``Dancer'' is an account of Buddy's meeting with his grown half-sister, abandoned by their father, who refused publicly to acknowledge that he had kept a mistress in the States. Though bound together with the same characters and similar settings, the stories manage to provide a broad and very rich portrait of life among immigrants, exiles, and more-or-less happily settled newcomers from the Philippines. A skillfully drawn first collection, with a quiet intensity that captures the imagination and stirs the heart.
Pub Date: Oct. 1, 1997
ISBN: 0-295-97664-0
Page Count: 192
Publisher: Univ. of Washington
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1997
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
