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BLACK DOG OF FATE

A MEMOIR

An essential American story of the author's upbringing as the child of Armenian immigrants—and of his gradual discovery of an entire culture's genocide at the hands of the Ottoman Turks in 1915. For poet Balakian (English/Colgate Univ.; Dyer's Thistle, etc.), a Tenafly, New Jersey, childhood circa 1960 revolved around food-centered rituals with relatives, some vividly characterized here, including his grandmother, Nafina Aroosian. While together they baked a sweet bread called choereg, she told him odd, parable- like stories, including one involving the black dog of the book's title. Similarly puzzling were his family's occasional references to the ``old country.'' As a student and young poet the author began to glean bits of this past, but his education in Armenia's sad history didn't really begin until after college, when, in a watershed moment, he picked up the memoir of the US ambassador to Turkey on the eve of the Great War. That text is extensively quoted to re-create Balakian's experience of reading, in rushing, energetic blasts, this difficult-to-fathom saga of persecution, brutality, and murder. Revelation of his own family's experience of the genocide came next. In dreamlike, novelistic prose, Balakian tells of his relative Dovey's suffering on the forced ``deportation march'' from her Anatolian homeland. The author encounters a ``Bishop Balakian's'' memoir of the atrocities, which he describes as ``like reading a skeleton,'' the words ``like pieces of bone.'' This and the other excerpted primary sources through which the dead speak provide dramatic perspective, authenticating the nightmare. In light of what Balakian calls the Turkish authorities' ``paper trail of denial extend[ing] to the present,'' he insists that commemoration is an essential process for survivors; and he comes to understand his family's numbed response as a necessary coping mechanism. A rare work of seasoned introspection, haunting beauty, and high moral seriousness. Includes a chilling genealogy of Balakian's parents' families.

Pub Date: May 21, 1997

ISBN: 0-465-00704-X

Page Count: 304

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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