by Peter Balakian ‧ RELEASE DATE: May 21, 1997
An essential American story of the author's upbringing as the child of Armenian immigrants—and of his gradual discovery of an entire culture's genocide at the hands of the Ottoman Turks in 1915. For poet Balakian (English/Colgate Univ.; Dyer's Thistle, etc.), a Tenafly, New Jersey, childhood circa 1960 revolved around food-centered rituals with relatives, some vividly characterized here, including his grandmother, Nafina Aroosian. While together they baked a sweet bread called choereg, she told him odd, parable- like stories, including one involving the black dog of the book's title. Similarly puzzling were his family's occasional references to the ``old country.'' As a student and young poet the author began to glean bits of this past, but his education in Armenia's sad history didn't really begin until after college, when, in a watershed moment, he picked up the memoir of the US ambassador to Turkey on the eve of the Great War. That text is extensively quoted to re-create Balakian's experience of reading, in rushing, energetic blasts, this difficult-to-fathom saga of persecution, brutality, and murder. Revelation of his own family's experience of the genocide came next. In dreamlike, novelistic prose, Balakian tells of his relative Dovey's suffering on the forced ``deportation march'' from her Anatolian homeland. The author encounters a ``Bishop Balakian's'' memoir of the atrocities, which he describes as ``like reading a skeleton,'' the words ``like pieces of bone.'' This and the other excerpted primary sources through which the dead speak provide dramatic perspective, authenticating the nightmare. In light of what Balakian calls the Turkish authorities' ``paper trail of denial extend[ing] to the present,'' he insists that commemoration is an essential process for survivors; and he comes to understand his family's numbed response as a necessary coping mechanism. A rare work of seasoned introspection, haunting beauty, and high moral seriousness. Includes a chilling genealogy of Balakian's parents' families.
Pub Date: May 21, 1997
ISBN: 0-465-00704-X
Page Count: 304
Publisher: Basic Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1997
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by Grigoris Balakian and translated by Peter Balakian with Aris Sevag
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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