by Peter Benjaminson ‧ RELEASE DATE: Nov. 1, 2012
A moving tribute to an artist who should not be forgotten.
From journalist and Motown chronicler Benjaminson (The Lost Supreme: The Life of Dreamgirl Florence Ballard, 2009, etc.), a compelling, sympathetic biography of Motown’s first diva Mary Wells (1943–1992).
Before Diana Ross or any other Motown star, there was Wells. Discovered at age 17 by Berry Gordy, president of the then-fledgling Motown, in 1960, the young Detroit schoolgirl went on to create a number of crossover hits (appealing to both black and white audiences), including her signature song, “My Guy.” Wells would define the style (long gowns and glamour) for later female Motown artists and the sound (“a strong melody, a noticeable beat, and accessibility for all”) that would bring enormous success and wealth to Motown. Yet, in a dispute over money, Wells left Motown, and while she spent the rest of her life trying to do so, she was never able to equal the success she had there. Trekking from one record company to another, she could never recreate the elusive magic of recording for Motown. “Nostalgia,” however, “kept her performing career alive,” and she performed “almost every other night, week after week,” becoming, for better or worse, “Queen of the Oldies.” Benjaminson ably captures the artistic milieu of early Motown, in which Wells’ art flourished. He also offers an unvarnished account of her tumultuous personal life: her numerous, sometimes disastrous, relations with a series of men, the drug and alcohol addictions that consumed her later in life, and her long battle to defeat the cancer that would take her life. While a flawed figure, Wells faced life’s hardships “by struggling and achieving until the very end.”
A moving tribute to an artist who should not be forgotten.Pub Date: Nov. 1, 2012
ISBN: 978-1-56976-248-6
Page Count: 304
Publisher: Chicago Review Press
Review Posted Online: Sept. 5, 2012
Kirkus Reviews Issue: Oct. 1, 2012
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by Chris Gardner with Quincy Troupe ‧ RELEASE DATE: June 1, 2006
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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