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PICTURE IN THE SAND

A gripping, hard-to-put-down thriller.

Political upheaval in Egypt circa 1954 threatens the location shooting of The Ten Commandments—and the life of a young local hired as Cecil B. DeMille's personal assistant.

A film buff, Ali Hassan is initially thrilled to work for DeMille, whose swan song this biblical epic proves to be. But his enthusiasm is dimmed by the director's imperious and temperamental ways. And his safety is compromised by the violent aims of the Muslim Brotherhood extremist group, which targets newly installed Prime Minister Gamal Abdel Nasser for his anti-theocratic ways and for cozying up to the blasphemous Hollywoodians. One of the group's outspoken members is Sherif, Ali's close but combative cousin, who pressures Ali into abetting a planned terrorist attack on the film set. After it becomes known that Ali, as DeMille's driver, ran over an influential imam to escape a demonstrating mob in Cairo, it's only a matter of time before he faces some very bad music. He ends up spending many years in prison, where he's beaten and tortured by an escaped Nazi welcomed into Egypt—supposedly "a new beacon of liberty"—for such purposes. The book is presented as Ali's firsthand account of his experiences, written years later for his radicalized American grandson, who sporadically emails his responses to it from jihadi training grounds unknown. These interruptions prove superficial in linking fundamentalism past and present and examining religious belief, but otherwise this departure by Blauner from his urban thrillers—including Sunrise Highway (2018) and Proving Ground (2017)—is great storytelling, a coming-of-age tale with a love story at its heart. The drama is leavened with wry accounts of the mercurial DeMille and his buff star, Charlton "Chuck" Heston. A Jewish documentary filmmaker thought to be an Israeli spy is straight out of classic noir. All in all, an inspired idea skillfully executed.

A gripping, hard-to-put-down thriller.

Pub Date: Jan. 3, 2023

ISBN: 978-1-2508-5101-7

Page Count: 352

Publisher: Minotaur

Review Posted Online: Sept. 13, 2022

Kirkus Reviews Issue: Oct. 1, 2022

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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