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FLAUBERT IN THE RUINS OF PARIS

THE STORY OF A FRIENDSHIP, A NOVEL, AND A TERRIBLE YEAR

Flaubert’s writing is vitally important to anyone seeking to understand the history of the period, and Brooks provides a...

Detailed examination of Gustave Flaubert’s historical novel Sentimental Education (1869) and how it may have prophesied the “terrible year” of 1871.

At least that is what Flaubert claimed as he walked through the ruins of Paris: the Franco-Prussian War of 1870, collapse of the French Army, defeat of Napoleon III, the Siege of Paris, and civil war could have been prevented had only people read his book. Brooks (Comparative Literature/Princeton Univ.; Enigmas of Identity, 2011, etc.) provides a long summary of Sentimental Education, which he admits might try readers’ patience. His professorial tone and deep diagnosis of Flaubert’s style will reawaken one’s sense of being a student trying to comprehend a profound university teacher, and the book will require some rereading to fully comprehend some of Brooks’ insights. Nonetheless, he keeps the narrative moving. Flaubert’s friendship with George Sand and their correspondence give a good indication of his attempts and intentions to convey the history of his contemporaries in 1848 that he felt was just a dress rehearsal for 1870. The history of France in this period is vital to understanding Flaubert’s work, and Brooks presents a thorough picture of the lessons of the revolution as farce and the significance of class conflict. The terrible year was bad enough with the loss to Prussia and their siege of Paris, but the civil war and the folly of the Paris Commune resulted in horrendous atrocities and devastation. “It was a year of almost unimaginable suffering, defeat, humiliation, hatred, and fratricidal conflict,” writes Brooks, “a year when war and surrender were followed by siege, cold, hunger, then class warfare on a scale never seen before.” Flaubert claimed that Sentimental Education showed how most of the suffering was caused by ignorance and the immense human capacity for self-deception.

Flaubert’s writing is vitally important to anyone seeking to understand the history of the period, and Brooks provides a scholarly but not inaccessible entry point.

Pub Date: April 4, 2017

ISBN: 978-0-465-09602-2

Page Count: 288

Publisher: Basic Books

Review Posted Online: Jan. 17, 2017

Kirkus Reviews Issue: Feb. 1, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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