edited by Peter Brosius & Elissa Adams ‧ RELEASE DATE: Oct. 1, 2011
Groups considering mounting productions that go beyond the popular musicals may want to consider looking at this uneven but...
Newly created plays for young people are not published very often, so this collection merits some attention.
The four dramas, commissioned by the well-respected Minneapolis Children’s Theater Company, are about growing up in ethnically diverse communities, but the plays cover different sets of problems for their young protagonists. Esperanza Rising, loosely adapted from the novel by Pam Muñoz Ryan, is set during the Depression, when Mexican immigrants competed with Okies for agricultural jobs in California. Esperanza changes from a pampered rich girl into a hard worker. The others are very contemporary. In Average Family, a reality-TV contest brings the wealthy Minneapolis Roubidoux family back to a Native American lifestyle they have never known. Also set in Minneapolis, the strongest play (at least on the page), Snapshot Silhouette, features a resilient Somali refugee, Najma, who finds both her voice and a new friend when she moves in with a well-meaning African American mother and her disaffected daughter; they are struggling as a family after the murder of an older daughter. Sasha, an isolated child of a Russian immigrant, finally gets to know her neighbors when she goes looking for a pen to write a research paper on the eponymous Brooklyn Bridge, the most artificial selection.
Groups considering mounting productions that go beyond the popular musicals may want to consider looking at this uneven but thought-provoking anthology. (Drama. 11-14)Pub Date: Oct. 1, 2011
ISBN: 978-0-8166-7313-1
Page Count: 296
Publisher: Univ. of Minnesota
Review Posted Online: Aug. 23, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Richard Peck ‧ RELEASE DATE: Oct. 1, 2000
Year-round fun.
Set in 1937 during the so-called “Roosevelt recession,” tight times compel Mary Alice, a Chicago girl, to move in with her grandmother, who lives in a tiny Illinois town so behind the times that it doesn’t “even have a picture show.”
This winning sequel takes place several years after A Long Way From Chicago (1998) leaves off, once again introducing the reader to Mary Alice, now 15, and her Grandma Dowdel, an indomitable, idiosyncratic woman who despite her hard-as-nails exterior is able to see her granddaughter with “eyes in the back of her heart.” Peck’s slice-of-life novel doesn’t have much in the way of a sustained plot; it could almost be a series of short stories strung together, but the narrative never flags, and the book, populated with distinctive, soulful characters who run the gamut from crazy to conventional, holds the reader’s interest throughout. And the vignettes, some involving a persnickety Grandma acting nasty while accomplishing a kindness, others in which she deflates an overblown ego or deals with a petty rivalry, are original and wildly funny. The arena may be a small hick town, but the battle for domination over that tiny turf is fierce, and Grandma Dowdel is a canny player for whom losing isn’t an option. The first-person narration is infused with rich, colorful language—“She was skinnier than a toothpick with termites”—and Mary Alice’s shrewd, prickly observations: “Anybody who thinks small towns are friendlier than big cities lives in a big city.”
Year-round fun. (Fiction. 11-13)Pub Date: Oct. 1, 2000
ISBN: 978-0-8037-2518-8
Page Count: 144
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2000
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by Richard Peck ; illustrated by Kelly Murphy
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by Ashley Juergens ‧ RELEASE DATE: June 22, 2010
Ghostwritten for a fictional 13-year-old character on the ABC Family network show Secret Life of the American Teenager, this September-to-August journal recaps the first season and part of the second—from 15-year-old sister Amy’s revelation that she’s pregnant through her parents’ divorce and the news that her mother herself is expecting. In the snarky tone she generally takes onscreen, narrator Ashley relates events from her own point of view and elaborates on them in long, wordy entries replete with adolescent self-assurance. Of a run-in with the school principal, for instance: “I think the real reason I got into trouble was because I expressed my individuality. It tends to scare authority figures when someone my age does that.” This “enhanced” e-book includes 10 brief video clips embedded in the general vicinity of their relevant passages. There is also a closing page of links to expedite the posting of reader ratings and reviews. Aside from a pair of footnotes pushed to a screen at the end, far away from their original contexts, the translation to digital format works seamlessly for reading/viewing in either single-page/portrait or double-page/landscape orientation. There’s enough standard-issue teen and domestic drama here to keep fans of such fare reading, but devotees of the show may be disappointed at the lack of significant new content, either in the narrative itself or in the e-book’s media features. (Fiction. 11-13)
Pub Date: June 22, 2010
ISBN: 978-1-4013-9596-4
Page Count: 432
Publisher: Disney-Hyperion
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: March 1, 2011
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