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ANDORRA

A precise, unsettling (if somewhat overlong) study of loss and duplicity. Cameron, the author of several well-received novels (The Weekend, 1994, etc.) and story collections (Far Flung, 1991, etc.), sets this terse work in the tiny country of Andorra, a mountainous, pocket-sized nation wedged between France and Spain. Alex Fox, his disaffected narrator, arrives there fleeing some at first unspecified horror, and finds the carefully ordered, slightly eccentric society of Andorra to be both enticing and soothing. He falls in with the Dents, a handsome, charming Australian couple who, separately, set out to seduce him. And he in turn begins to pursue the beautiful, hesitant Jean Quay, a young woman who seems to be locked in a constant struggle to suppress some disturbing incident in her past. Cameron deftly introduces a grim subtext to Alex's amours: The bodies of several men, strangled to death, wash up on a nearby beach. Ricky Dent disappears, and his frantic wife and a coolly charming policeman both wonder whether Alex has had something to do with it. Dent reappears but, convinced that he will be arrested for the murders, flees. Alex, who had come to Andorra looking for the solace of anonymity, allows himself to drift into an affair with the not-terribly-distraught Mrs. Dent and to entertain the idea of settling down with Jean. But things quickly go wrong. Alex, protesting his innocence, becomes the police's prime suspect in the murders. He isn't guilty, but an even more horrendous crime in his past spurs him to attempt to flee. That crime is revealed only at the last, and Cameron does a very deft job of gradually peeling away the seeming charm of the place and its inhabitants to uncover some nasty secrets underneath. While the pace occasionally lags toward the climax, Cameron's sly, complex characters, wonderfully intelligent dialogue, and masterful pacing combine to create a cumulatively powerful tale of the unforgiving workings of fate. (First printing of 25,000; author tour)

Pub Date: Jan. 1, 1997

ISBN: 0-374-10505-7

Page Count: 256

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1996

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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