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EVERY NIGHT AT MIDNIGHT

Name: EVERY NIGHT AT MIDNIGHT
Author: Peter Cheong
ISBN: 9781665917384

by Peter Cheong ; illustrated by Peter Cheong ‧ RELEASE DATE: Aug. 8, 2023

Warm and dreamy, this sweet story captures the joy of finding your pack.

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A lone wolf finds comfort in a new friendship.

“Every night at midnight I turn into a wolf,” the young, brown-skinned narrator reveals. The affliction is mostly welcome. With nimble paws and a magnificent tail, this werewolf runs by moonlight, independent and speedy. Still, secretly turning into a wolf every night makes it difficult to maintain friendships and attend sleepovers. “There is no one else like me,” the child reports, at once reveling in the transformation and acknowledging how it has resulted in loneliness. Then a new girl arrives at school. With a long mane of white hair and a wolf pendant around her neck, the tan-skinned girl seems to make friends easily. In the class’s weekly race, she even beats the narrator, who usually wins. That night, the protagonist is joined by a white wolf wearing a familiar pendant. Together, they fly across the rooftops, smiles on their adorable wolf faces…until a misstep leaves the white wolf tumbling to the ground with an injured paw and eventually leads to the protagonist feeling less alone. Cheong’s approachable prose and charming illustrations deliver a heartfelt story about the comfort of community. Human characters are diverse in skin tone and body type. (This book was reviewed digitally.)

Warm and dreamy, this sweet story captures the joy of finding your pack. (Picture book. 4-8)

Pub Date: Aug. 8, 2023

ISBN: 9781665917384

Page Count: 40

Publisher: Atheneum

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

Categories:

CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
WHERE WE CAN HEAR THE GIANTS SING
by Peter Cheong ; illustrated by Peter Cheong

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ON THE FIRST DAY OF KINDERGARTEN

by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

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Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

Categories:

CHILDREN'S CONCEPTS | CHILDREN'S SOCIAL THEMES

- BOOK REVIEW
ON THE FIRST DAY OF FIRST GRADE
by Tish Rabe ; illustrated by Sarah Jennings

- BOOK REVIEW
FIVE LITTLE BUNNIES
by Tish Rabe ; illustrated by Dan Yaccarino

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TINY T. REX AND THE IMPOSSIBLE HUG

by Jonathan Stutzman ; illustrated by Jay Fleck ‧ RELEASE DATE: March 5, 2019

Wins for compassion and for the refusal to let physical limitations hold one back.

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With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)