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WHERE WE CAN HEAR THE GIANTS SING

A visually compelling, though at times cryptic, homage to the lure of adventure and the promise of home.

A child embarks on a fantastical underwater adventure with mermaids.

The tan-skinned, black-haired protagonist befriends a mermaid, who gives the child a necklace. The youngster shows the gift to an adult, who inexplicably recoils and confiscates it. The child secretly finds the necklace, races down the dock, and dives into the water, where the mermaid awaits. In a nod to fairy-tale lore, the necklace gives the child the ability to stay underwater indefinitely. Other mermaids join the two, and the protagonist marvels at the beauty of marine life. But seeing a mermaid parent and child awakens old memories in the youngster. “I’ve had the most wonderful time,” the child says. “But I’m coming back home.” Minimal text describes the basics of the story but at times feels superfluous; the bulk of the narrative is propelled by the striking illustrations. Bold blues, oranges, and greens in textured strokes dominate the dramatic artwork. Though the characters are wonderfully expressive, readers may be confused about some elements of the plot, depending on what details they notice or overlook. Those who start reading after the title page, for instance, may wonder where the necklace came from; they’ll need to flip back to see the earlier pages that show the mermaid giving it to the protagonist.

A visually compelling, though at times cryptic, homage to the lure of adventure and the promise of home. (Picture book. 4-8)

Pub Date: Oct. 8, 2024

ISBN: 9781250907578

Page Count: 32

Publisher: Henry Holt

Review Posted Online: July 19, 2024

Kirkus Reviews Issue: Aug. 15, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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