by Peter Cheong ; illustrated by Peter Cheong ‧ RELEASE DATE: Oct. 8, 2024
A visually compelling, though at times cryptic, homage to the lure of adventure and the promise of home.
A child embarks on a fantastical underwater adventure with mermaids.
The tan-skinned, black-haired protagonist befriends a mermaid, who gives the child a necklace. The youngster shows the gift to an adult, who inexplicably recoils and confiscates it. The child secretly finds the necklace, races down the dock, and dives into the water, where the mermaid awaits. In a nod to fairy-tale lore, the necklace gives the child the ability to stay underwater indefinitely. Other mermaids join the two, and the protagonist marvels at the beauty of marine life. But seeing a mermaid parent and child awakens old memories in the youngster. “I’ve had the most wonderful time,” the child says. “But I’m coming back home.” Minimal text describes the basics of the story but at times feels superfluous; the bulk of the narrative is propelled by the striking illustrations. Bold blues, oranges, and greens in textured strokes dominate the dramatic artwork. Though the characters are wonderfully expressive, readers may be confused about some elements of the plot, depending on what details they notice or overlook. Those who start reading after the title page, for instance, may wonder where the necklace came from; they’ll need to flip back to see the earlier pages that show the mermaid giving it to the protagonist.
A visually compelling, though at times cryptic, homage to the lure of adventure and the promise of home. (Picture book. 4-8)Pub Date: Oct. 8, 2024
ISBN: 9781250907578
Page Count: 32
Publisher: Henry Holt
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
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by Peter Cheong ; illustrated by Peter Cheong
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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by Suzanne Lang ; illustrated by Max Lang
BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
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