A New York-based blogger chronicles a worldwide flu outbreak until the fallout from the pandemic—and his blogging—crashes through his front door.
Maskman, aka Count Blogula, is a libertarian flu profiteer, selling gloves, masks and goggles on his website while writing feverishly about the coming pandemic, a deadly strain of avian flu called H5N1. When his blog’s readership explodes overnight, educating the masses from his online soapbox becomes priority one, making him an anonymous celebrity in the flu-blog community, even earning him a mysterious, yet charming, female stalker. As more people succumb to the disease, Blogula watches as his community descends into anarchy, and the country falls into a state of martial law, where America’s most prolific flu fighter is now branded a terrorist. Hall’s debut recalls a modern take on Daniel Defoe’s A Journal of the Plague Year, striving for and mostly achieving the same level of thoroughness. The novel is well researched and notable for pointing out what we know, or perhaps more importantly don’t know, about influenza. The sole complication is the narrator. Blogula is a detached, half-Randian narcissist, lacking compassion in little ways that speak volumes about his character, making him feel largely unreliable. While these flaws render many of his valid points suspect, it actually strengthens the story, and the surplus of self-involved musings directed at readers perfectly captures the unique tone often struck by even the most professional bloggers. The only other downside to the book’s “blog as a novel” literary device is pacing-related—big moments, from the flu’s resurgences to the breakdown of law and order, are almost always recounted in the past tense, robbing these events of urgency and narrative weight. Still, this same style allows for intimate slices of life amid the horror, inspirational impressions of perseverance and survival in a time of great crisis. A tad dry and exposition-heavy, the novel’s style is ultimately more of an asset than a detriment to the story it seeks to tell.
Pub Date: Jan. 16, 2012
ISBN: 978-0984678006
Page Count: 299
Publisher: Arterial Witness
Review Posted Online: Jan. 20, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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