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TECUMSEH AND THE PROPHET

THE SHAWNEE BROTHERS WHO DEFIED A NATION

Blending historical fact with solid storytelling, Cozzens delivers a nuanced study of the great warrior and his times.

A comprehensive biography of the noted Native American leader and his overlooked brother.

William Henry Harrison, whose forces defeated Tecumseh at the Battle of Tippecanoe, held his opponent in such high esteem that he said, “If it were not for the vicinity of the United States, he would, perhaps, be the founder of an empire that would rival in glory that of Mexico or Peru.” As it was, writes historian Cozzens, Tecumseh forged a powerful alliance of Native peoples in the area from Wisconsin to Ohio that attempted to contain white expansion into the region. Tecumseh took many of his “pan-Indian” cues from the Ottawa war leader Pontiac and the Delaware prophet Neolin, both of whom led resistances against British incursions a generation before him. Important in this struggle was Tecumseh’s younger brother Tenskwatawa, called the “Shawnee prophet,” whom some historians—Cozzens calls out Alvin Josephy, author of The Patriot Chiefs (1961) and other works—have depicted as a “delusional charlatan.” Surely Tenskwatawa had his difficulties: He lived in his brother’s shadow, and he battled alcoholism. Yet the accomplishments of the brothers in uniting sometimes-contending Native tribes into a formidable army were the makings of a legend. It was their misfortune that the Shawnee people inhabited the “fault line between French and British interests, and as such was fated to become an imperial battleground.” Matters would grow worse with the War of 1812, when Tecumseh found an imperial ally in Britain but was killed on a battlefield in Canada—for which Harrison took undue credit. For various reasons, writes Cozzens, in the aftermath, Tenskwatawa “had fallen mightily in the fragmented Indian world that he and Tecumseh had striven to unite,” and after unsuccessful attempts to negotiate reservation land in the East, he ended his days in a small settlement of refugees that became known as Shawnee Mission, Kansas.

Blending historical fact with solid storytelling, Cozzens delivers a nuanced study of the great warrior and his times. (16 pages of color illustrations, 13 maps)

Pub Date: Oct. 27, 2020

ISBN: 978-1-5247-3325-4

Page Count: 560

Publisher: Knopf

Review Posted Online: June 10, 2020

Kirkus Reviews Issue: July 1, 2020

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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TANQUERAY

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 27, 2022

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